Tiffany FitzHenry: Country Songs Contain Spells and Musical Scales 'Change Your DNA'
FitzHenry claimed that she had recently been doing some editing work for “a massive, massive country music star” and was shown a “list of words” that the performer receives that must be used in their songs.
“There are lists of words that they get that they have to put these words, certain words, into their songs,” she said. “These are spells. If you’ve ever wondered, ‘Why does every country music song mention alcohol, whiskey?’ I think there was a study done that said 90 percent of country music songs in some form or fashion mention or make reference to, if not outright [promote] drinking. There has been a great illusion put over us and music is so powerful.”
FitzHenry went on to assert that “the music scale was changed” by the Rockefellers or Rothchilds back in the early part of the 20th century to shift it away from the natural frequency created by God.
“There is a frequency that is sort of the God frequency and then there is a frequency that is just sort of off from that,” she said. “Our scale of modern music [is] off from the real resonance, it’s just a scale down. We don’t realize it, but all of our music is tainted in this way and sound has a powerful influence, a powerful effect on our bodies, on our minds. We’re 75 percent water, and so when something reverberates though you, it changes your DNA.”
https://www.rightwingwatch.org/post/tiffany-fitzhenry-country-songs-contain-spells-and-musical-scales-change-your-dna/
= new reply since forum marked as read
The A above middle C is often set at 440 Hz, which is known as Modern Standard Concert pitch. It's what instruments tune to. Historically, this A has been tuned to a variety of higher and lower pitches based on the instrumentation available throughout history. Our music director is always saying what the piece WOULD have been keyed in if we lived back in the 16-1700s -- and the Sopranos and Tenors are always thankful we are singing in the 21st Century. 
From a Wikipedia article on Concert Pitch:
https://en.wikipedia.org/wiki/Concert_pitch
"During historical periods when instrumental music rose in prominence (relative to the voice), there was a continuous tendency for pitch levels to rise. This "pitch inflation" seemed largely a product of instrumentalists competing with each other, each attempting to produce a brighter, more "brilliant", sound than that of their rivals. (In string instruments, this is not all acoustic illusion: when tuned up, they actually sound objectively brighter because the higher string tension results in larger amplitudes for the harmonics.) This tendency was also prevalent with wind instrument manufacturers, who crafted their instruments to play generally at a higher pitch than those made by the same craftsmen years earlier.[citation needed]
On at least two occasions, pitch inflation had become so severe that reform became needed. At the beginning of the 17th century, Michael Praetorius reported in his encyclopedic Syntagma musicum that pitch levels had become so high that singers were experiencing severe throat strain and lutenists and viol players were complaining of snapped strings. The standard voice ranges he cites show that the pitch level of his time, at least in the part of Germany where he lived, was at least a minor third higher than today's. Solutions to this problem were sporadic and local, but generally involved the establishment of separate standards for voice and organ (German: Chorton, lit. 'choir tone') and for chamber ensembles (German: Kammerton, lit. 'chamber tone'). Where the two were combined, as for example in a cantata, the singers and instrumentalists might perform from music written in different keys. This system kept pitch inflation at bay for some two centuries.[5]
The advent of the orchestra as an independent (as opposed to accompanying) ensemble brought pitch inflation to the fore again. The rise in pitch during this time can be seen reflected in tuning forks. An 1815 tuning fork from the Dresden opera house gives A = About this sound423.2 Hz,[3] while an 1826 fork from the same opera house gives A = About this sound435 Hz. At La Scala in Milan, the A above middle C rose as high as About this sound451 Hz.[3] "
Glad I went to the link so I could hear the difference in pitch.
I vaguely knew music had changed over the year just by being an avid reader. That really was interesting.
My parents put me in various music classes but it soon became apparent, in the words of my grandmother “I could not carry a tune in a wash bucket”!
But regarding the article, you never answered the most pressing question:
Which style does god favor? 
Tried Y2Country or whatever the Sirius channel is. 
I'm guessing that the booze has something to do with it! 
Plus the time the pick-up broke down.
Oh, and washing cloth diapers in a wringer washer and hanging them on the line to dry.
Clearly those who write country songs are ignoring a lot of possible subjects.
Many times the drivers were family members.
You can trust family...usually.
They weren't 'hired', they had a piece of the action...the 'family business'.
I grew up in Alabama.
Anybody connected with illegal whiskey making was called moonshiners.
We didn't distinguish between distillers and drivers.
....that cause me to instantly turn the station on the radio.
Any member of The Highwayman clearly excluded from this spell, obviously.
Everything from chants to modern music!
I believe that orchestras are tuning to A441 now as opposed to the old A440 but I somehow do not think this is what this wacko was talking about.
*I just tune to what the oboist give us. 
Just about any and every conspiracy theory is talked up, and lots of "You're so good for doing the Lord's work!" -type praise.
The same webpage in the OP also frequently posts stuff from a crazy just as bad, Liz Crokin.
BTW, I have on Pandora, my "KC and The Sunshine Band" channel.
Is disco music part of this conspiracy too? 
Right Wing Watch reports that Wiles, host of TruNews, a television “news” program produced for conservative Christians, believes that “plant-based alternatives to meat and dairy products, is part of a satanic plot to alter human DNA so that people can no longer worship God.”
Appearing on his program earlier this week, Wiles said:
When you go to your favorite fast food restaurant, you are going to be eating a fake hamburger. You’re going to go to the grocery store and buy a pound of fake hamburger or a fake steak, and you won’t know that it was grown in some big corporation’s laboratory. This is the nightmare world that they are taking us into. They’re changing God’s creation. Why? Because they want to be God.
https://www.patheos.com/blogs/progressivesecularhumanist/2019/06/christian-tv-host-meatless-burgers-are-satanic-plot-to-create-race-of-soulless-creatures/
Contains some real gems down in the responses. 
