A Lavender Reading of J. Edgar Hoover
In the Aug. 19, 1933, issue of Colliers magazine, Ray Tucker offered a scathing indictment of the Bureau of Investigation (forerunner to the FBI). Such a critical take was unsurprising given Colliers progressive editorial stance. A weekly magazine of news and culture, Colliers was one of the most popular periodicals in the United States in 1933, with a circulation of 3.7 million. In the course of lambasting the boy detectives of the BOI for their domestic surveillance operations, Colliers made one of the earliest print references to the oft-debated sexuality of the bureaus young director, J. Edgar Hoover.
In appearance, Mr. Hoover looks utterly unlike the story-book sleuth. He is short, fat, businesslike, and walks with a mincing step.
He dresses fastidiously, with Eleanor blue as the favorite color for the matched shades of tie, handkerchief and socks.
Hist, Whos That? has proved of lasting interest to historians primarily because of its loaded description of Hoover.
Claire Bond Potter and
Richard Gid Powers have pointed to the depiction of Hoovers mincing step as a particularly caustic nod to his supposedly feminine gait. However, a closer look at the article reveals a bolder allusion to Hoovers femininity and sexuality than the portrayal of his step, albeit a more hidden one.
Colliers noted that Hoovers wardrobe was dominated by Eleanor blue, a term coined by the press to describe the color of
" target="_blank">the velvet day dress that Eleanor Roosevelt had worn to her husbands inauguration in early March. As most readers of Colliers would have known, Eleanor blue was actually more of a lavender, a shade which by 1933 had already become a euphemism for male homosexuals.
Given this context, we might deduce that the description of Hoovers preferred sartorial shade was a coded reference to the directors rumored sexual preferences. Like much of the gossip surrounding Hoovers sexuality, it was an accusation hidden in plain sight. Though the average reader of Colliers might miss the insinuation, those in the know would be able to connect the dots and comprehend the deeper critique hidden within the account of Hoovers fastidious dress.
In the mainstream press of 1933, discussions about sexuality were rarely obvious, and readers were invited to look between the lines. As it was for Colliers readers in the 1930s, so it is for historians of sexuality of today who must also strive to reconstruct the constellation of culture to which past readers had access. For historians of sexuality, this process involves
listening for hairpins dropping, or in this case, looking out for local color.
http://www.slate.com/blogs/outward/2015/09/02/how_collier_s_suggested_j_edgar_hoover_was_gay_back_in_1933.html?