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One of the most iconic photos of American workers is not what it seems
I've had a poster of this photograph in my cubicle since my second week on the job.
Retropolis
One of the most iconic photos of American workers is not what it seems
But “Lunch atop a Skyscraper" has come to represent the country’s resilience, especially on Labor Day.
Workers atop the 70-story RCA building in New York's Rockefeller Center lunch on a steel beam overlooking the city in 1932. (Getty Images) (Bettmann/Getty Images)
By Jessica Contrera
September 1
Eleven pairs of shoes were dangling over the New York City skyline. It was September of 1932, as the Great Depression was reaching its height. Unemployment and uncertainty could be felt throughout the city and the entire country. But on West 49th Street, a pillar of hope was under construction: the art deco skyscraper that would come to be known as 30 Rockefeller Plaza.
The ironworkers constructing its 70 floors were taking a break, sharing boxed lunches and cigarettes. They appeared to be completely unfazed by the location of this break: a narrow steel beam jutting out into the sky, hundreds of feet above the pavement.
As one coveralled man helped another light his smoke, someone snapped a picture. The resulting photograph became one of the most iconic images in the world, an embodiment of the spirit of the American worker. It still hangs in pubs, classrooms and union offices across the nation. Construction workers frequently re-create the 87-year-old photo. And every Labor Day, it is shared across social media, in tribute to those whose perspiration and determination built this country.
Photo buffs know the truth behind the classic photo: It was staged. The men in the picture were real ironworkers. They did build the structure that is now the 22nd tallest building in New York City and home to NBC studios. But rather than capture them in the midst of their lunch break, the photographer posed them on the beam for multiple takes — images that were intended as advertising for the new building. Some historians believe there was a sturdy level of the structure, then called the RCA building, just below the frame.
“You see the picture once, you never forget it," Rockefeller Center archivist Christine Roussel told Time magazine. But “the funniest part about the photographs," she said, "were they were done for publicity.”
....
Jessica Contrera is a reporter on The Washington Post's local enterprise team. She writes about people whose lives are being transformed by the major events and issues in the news. Follow https://twitter.com/mjcontrera
One of the most iconic photos of American workers is not what it seems
But “Lunch atop a Skyscraper" has come to represent the country’s resilience, especially on Labor Day.
Workers atop the 70-story RCA building in New York's Rockefeller Center lunch on a steel beam overlooking the city in 1932. (Getty Images) (Bettmann/Getty Images)
By Jessica Contrera
September 1
Eleven pairs of shoes were dangling over the New York City skyline. It was September of 1932, as the Great Depression was reaching its height. Unemployment and uncertainty could be felt throughout the city and the entire country. But on West 49th Street, a pillar of hope was under construction: the art deco skyscraper that would come to be known as 30 Rockefeller Plaza.
The ironworkers constructing its 70 floors were taking a break, sharing boxed lunches and cigarettes. They appeared to be completely unfazed by the location of this break: a narrow steel beam jutting out into the sky, hundreds of feet above the pavement.
As one coveralled man helped another light his smoke, someone snapped a picture. The resulting photograph became one of the most iconic images in the world, an embodiment of the spirit of the American worker. It still hangs in pubs, classrooms and union offices across the nation. Construction workers frequently re-create the 87-year-old photo. And every Labor Day, it is shared across social media, in tribute to those whose perspiration and determination built this country.
Photo buffs know the truth behind the classic photo: It was staged. The men in the picture were real ironworkers. They did build the structure that is now the 22nd tallest building in New York City and home to NBC studios. But rather than capture them in the midst of their lunch break, the photographer posed them on the beam for multiple takes — images that were intended as advertising for the new building. Some historians believe there was a sturdy level of the structure, then called the RCA building, just below the frame.
“You see the picture once, you never forget it," Rockefeller Center archivist Christine Roussel told Time magazine. But “the funniest part about the photographs," she said, "were they were done for publicity.”
....
Jessica Contrera is a reporter on The Washington Post's local enterprise team. She writes about people whose lives are being transformed by the major events and issues in the news. Follow https://twitter.com/mjcontrera
5 replies
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Lunch Atop a Skyscraper Photograph: The Story Behind the Famous Shot
{edited for updated link to photograph}
I've had a copy of this hanging in my cubicle since my second week on the job. I found it thrown out in the trash as I was shopping for groceries during my first weekend off.
Lunch Atop a Skyscraper Photograph: The Story Behind the Famous Shot
How a Galway Pub Led to a Skyscraper
And from last year:
Story behind the iconic Lunch Atop a Skyscraper photo
{edited for updated link to photograph}
I've had a copy of this hanging in my cubicle since my second week on the job. I found it thrown out in the trash as I was shopping for groceries during my first weekend off.
Lunch Atop a Skyscraper Photograph: The Story Behind the Famous Shot
For 80 years, the 11 ironworkers in the iconic photo have remained unknown, and now, thanks to new research, two of them have been identified
Bettman/Corbis
By Megan Gambino
smithsonian.com
September 19, 2012
On September 20, 1932, high above 41st Street in Manhattan, 11 ironworkers took part in a daring publicity stunt. The men were accustomed to walking along the girders of the RCA building (now called the GE building) they were constructing in Rockefeller Center. On this particular day, though, they humored a photographer, who was drumming up excitement about the project’s near completion. Some of the tradesmen tossed a football; a few pretended to nap. But, most famously, all 11 ate lunch on a steel beam, their feet dangling 850 feet above the city’s streets.
You’ve seen the photograph before—and probably some of the playful parodies it has spawned too. My brother had a poster in his childhood bedroom with actors, such as Tom Cruise and Leonardo DiCaprio, photoshopped in place of the steelworkers. The portrait has become an icon of 20th century American photography.
But how much do you know about it?
For the Irish filmmaker Seán Ó Cualáin, the mystery surrounding the photograph is a large part of its appeal. “There are so many unknowns,” he says. Who was the photographer? And who are the men? ... “They could be anybody,” says Ó Cualáin. “We can all place ourselves on that beam. I think that is why the photograph works.”
Ó Cualáin did not plan to tell the story of the photograph, but that’s exactly what he has done in his latest documentary, Men at Lunch, which debuted {in September 2012} at the Toronto International Film Festival.
Bettman/Corbis
By Megan Gambino
smithsonian.com
September 19, 2012
On September 20, 1932, high above 41st Street in Manhattan, 11 ironworkers took part in a daring publicity stunt. The men were accustomed to walking along the girders of the RCA building (now called the GE building) they were constructing in Rockefeller Center. On this particular day, though, they humored a photographer, who was drumming up excitement about the project’s near completion. Some of the tradesmen tossed a football; a few pretended to nap. But, most famously, all 11 ate lunch on a steel beam, their feet dangling 850 feet above the city’s streets.
You’ve seen the photograph before—and probably some of the playful parodies it has spawned too. My brother had a poster in his childhood bedroom with actors, such as Tom Cruise and Leonardo DiCaprio, photoshopped in place of the steelworkers. The portrait has become an icon of 20th century American photography.
But how much do you know about it?
For the Irish filmmaker Seán Ó Cualáin, the mystery surrounding the photograph is a large part of its appeal. “There are so many unknowns,” he says. Who was the photographer? And who are the men? ... “They could be anybody,” says Ó Cualáin. “We can all place ourselves on that beam. I think that is why the photograph works.”
Ó Cualáin did not plan to tell the story of the photograph, but that’s exactly what he has done in his latest documentary, Men at Lunch, which debuted {in September 2012} at the Toronto International Film Festival.
How a Galway Pub Led to a Skyscraper
By JOHN ANDERSON NOV. 8, 2012
WHEN they don’t involve sailors kissing nurses, the symbolic photographs of New York City usually involve skyscrapers: Alfred Stieglitz’s snowy shot of the Flatiron Building; Berenice Abbott’s electric “Night View”; Margaret Bourke-White perched atop an art-deco eagle of the Chrysler Building. And Lewis Hine’s celebrated portrait of 11 Depression-era ironworkers, lunching along an I-beam on the unfinished Empire State Building.
No?
No, on several counts.
The shot isn’t by Hine. And it’s not atop the Empire State Building — despite common misperceptions, misrepresentations and an Internet that insists otherwise. Taken Sept. 20, 1932, during the construction of Rockefeller Center, the well-known portrait of 11 immigrant laborers, legs dangling 850 feet above Midtown, ran in the Oct. 2 Sunday supplement of The New York Herald-Tribune, with the caption “Lunch Atop a Skyscraper.” Everybody knows the picture. Nobody knows who took it. And for most of its 80 years no one has known who’s in it.
WHEN they don’t involve sailors kissing nurses, the symbolic photographs of New York City usually involve skyscrapers: Alfred Stieglitz’s snowy shot of the Flatiron Building; Berenice Abbott’s electric “Night View”; Margaret Bourke-White perched atop an art-deco eagle of the Chrysler Building. And Lewis Hine’s celebrated portrait of 11 Depression-era ironworkers, lunching along an I-beam on the unfinished Empire State Building.
No?
No, on several counts.
The shot isn’t by Hine. And it’s not atop the Empire State Building — despite common misperceptions, misrepresentations and an Internet that insists otherwise. Taken Sept. 20, 1932, during the construction of Rockefeller Center, the well-known portrait of 11 immigrant laborers, legs dangling 850 feet above Midtown, ran in the Oct. 2 Sunday supplement of The New York Herald-Tribune, with the caption “Lunch Atop a Skyscraper.” Everybody knows the picture. Nobody knows who took it. And for most of its 80 years no one has known who’s in it.
And from last year:
Story behind the iconic Lunch Atop a Skyscraper photo