Bob Woodward's Dark Days
Mar 12, 2013 1:00 AM EDT
Woodward's recent flap reveals a grotesquely swollen ego fed by 40 years of hero worship. In Newsweek, Max Holland asks: why is this man an American icon?
For the past week Washington has found itself debating Bob Woodward. The occasion: his very public argument with White House senior official Gene Sperling, in which Woodward left the impression that Sperling had somehow tried to intimidate him—only to see this accusation undermined by the release of an email exchange in which the pair sounded rather conciliatory.
Almost all the commentary about this flap fits neatly under the heading, “What the Hell Happened to Bob Woodward?” But posing that question, as New York magazine did last week, implies a transformation that never occurred. Woodward is the same now as he ever was. His misrepresentation of his interaction with Sperling is only the latest in a long string of questionable journalistic episodes.
To understand how this started, one has to begin near the beginning: Woodward and Carl Bernstein’s book about their Watergate exploits, All the President’s Men. The authors enjoyed titanic-sized credibility when the book appeared in the spring of 1974; not too many reporters could point to having received a public apology attesting to the veracity of their work from a press secretary to the president of the United States. (“I would apologize to the Post, and I would apologize to Mr. Woodward and Mr. Bernstein,” Ron Ziegler had said on May 1, 1973, retracting his earlier criticism of the newspaper’s articles on Watergate.) The natural assumption was that Woodstein’s book would meet that same high standard. Why would their nonfiction for The Washington Post differ from nonfiction written for Simon and Schuster?
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http://www.thedailybeast.com/newsweek/2013/03/11/the-myth-of-bob-woodward-why-is-this-man-an-american-icon.html
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