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Related: Culture Forums, Support ForumsChipper Chat
(9,678 posts)Of course we only got one channel which was WFBM channel 6 Indianapolis so we had to watch it. We had 3 generations living together and my grandma thought he was the greatest. She died before he came out. Not that it would have shocked her I'm sure.
Lionel Mandrake
(4,076 posts)No, not that.
His real secret was that, although a great showman, he was not the great pianist that his fans thought he was. Sure he had some chops, but his playing was not very expressive. When it comes to boogie-woogie, I'm tempted to say that he was too white. Liberace was to Pete Johnson as Elvis was to Big Mama Thornton. More on that later.
Ptah
(33,024 posts)rurallib
(62,406 posts)Lionel Mandrake
(4,076 posts)Pete Johnson was from Kansas City. Not surprisingly, he had feelings for the place. You can hear those feelings in his most original composition, which evolved through the years. Sometimes it's called Kaycee Feeling. Other times, Kaycee on my Mind. Like all great boogie-woogie, it has a certain sweetness.
Lionel Mandrake
(4,076 posts)because the piece went on for more than three minutes, which was the limit for a ten-inch 78 RPM record.
Here's a slightly later version of the same tune.
Lionel Mandrake
(4,076 posts)It's the same old story, but this time it's about the blues. I couldn't possibly tell it as well as these ladies do.
Lionel Mandrake
(4,076 posts)Here's the original:
MiltonBrown
(322 posts)version (as the ladies in the video posted above allude to) was copied from Las Vegas lounge act Freddy Bell and the Bellboys.
America's ethnic and racial diversity helped make American music so unique and great. Jewish guys, a large black woman, 1950s Vegas hipsters and Elvis combined to give us Hound Dog. God bless 'em all!
Chipper Chat
(9,678 posts)Also tempi were usually too fast. But...he was a showman.
elleng
(130,865 posts)ashling
(25,771 posts)my Dad called him Liberace
he said he was the peeinist dog he had ever seen