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Demeter

Demeter's Journal
Demeter's Journal
November 7, 2014

Weekend Economists Put Down the Duckie! November 7-9, 2014





An all star celebrity sing-along from the 1988 prime time PBS pledge drive special. The catchy song was written by Chris Cerf and Norman Stiles. The celebrities, in order of appearance: John Candy (as Yosh Schmenge from SCTV), Andrea Martin (as Edith Prickley from SCTV), New York Mets Keith Hernandez & Mookie Wilson, Jane Curtin (of SNL and Kate & Allie), Madeline Kahn, Joe Williams, Paul Reubens (as Pee Wee Herman), Ladysmith Black Mambazo, Wynton Marsalis, Celia Cruz, Ihtzak Perlman, Gordon Jackson & Jean Marsh (as Angus Hudson and Rose Buck of Upstairs Downstairs), Paul Simon, Jeremy Irons, Pete Seeger, Rhea Perlman and Danny Devito, and NY Giants Sean Landeta, Mark Ingram, Karl Nelson and Carl Banks.


Much thanks to NantoVision1, who uploaded this to youtube!

Yes, a combination of a favorite pet or toy, jazz and blues, and perhaps a chocolate coating, will get us through the changes of Life: seasons, elections, economies, politics, war, life....

How about a second dose? Here's a 1935 Disney classic:



It is the 200th anniversary of the inventor of the saxophone! Antoine-Joseph "Adolphe" Sax (6 November 1814 – c. 7 February 1894)

The saxophone (also referred to as the sax) is a family of woodwind instruments. Saxophones are usually made of brass and played with a single-reed mouthpiece similar to that of the clarinet. The saxophone family was invented by the Belgian instrument maker Adolphe Sax in 1840. Sax wanted to create a group or series of instruments that would be the most powerful and vocal of the woodwinds, and the most adaptive of the brass—that would fill the vacant middle ground between the two sections. He patented the saxophone on June 28, 1846, in two groups of seven instruments each. Each series consisted of instruments of various sizes in alternating transposition. The series pitched in B♭ and E♭, designed for military bands, has proved extremely popular and most saxophones encountered today are from this series. Instruments from the so-called "orchestral" series, pitched in C and F, never gained a foothold, and the B♭ and E♭ instruments have now replaced the C and F instruments in classical music.

The saxophone is commonly used in classical music (such as concert bands, chamber music, and solo repertoire), military bands, marching bands, and jazz (such as big bands, jazz combos, reggae/ ska bands, etc.). Saxophone players are called saxophonists.

The saxophone was developed in 1841, by Adolphe Sax, a Belgian instrument maker, flautist, and clarinetist working in Paris. While still working at his father's instrument shop in Brussels, Sax began developing an instrument with the projection of a brass instrument and the agility of a woodwind. He wanted it to overblow at the octave, unlike the clarinet, which rises in pitch by a twelfth when overblown. An instrument that overblew at the octave, would have identical fingering for both registers.

Prior to his work on the saxophone, Sax had made several improvements to the bass clarinet by improving its keywork and acoustics and extending its lower range. Sax was also a maker of the then-popular ophicleide, a large conical brass instrument in the bass register with keys similar to a woodwind instrument. His experience with these two instruments allowed him to develop the skills and technologies needed to make the first saxophones. Adolphe Sax created an instrument with a single reed mouthpiece like a clarinet, conical brass body like an ophicleide, and the acoustic properties of both the French horn and the clarinet.

Having constructed saxophones in several sizes in the early 1840s, Sax applied for, and received, a 15-year patent for the instrument on June 28, 1846. The patent encompassed 14 versions of the fundamental design, split into two categories of seven instruments each, and ranging from sopranino to contrabass. Although the instruments transposed at either F or C have been considered "orchestral", there is no evidence that Sax intended this. As only 3 percent of Sax's surviving production were pitched in F and C, and as contemporary composers used the E♭ alto and B♭ bass saxophone freely in orchestral music, it is almost certain that Sax experimented to find the most suitable keys for these instruments, settling upon instruments alternating between E♭ and B♭ rather than those pitched in F or C, for reasons of tone and economy (the saxophones were the most expensive wind instruments of their day). The C soprano saxophone was the only instrument to sound at concert pitch. All the instruments were given an initial written range from the B below the treble staff to the F, one space above the three ledger lines above staff, giving each saxophone a range of two and a half octaves.

Sax's patent expired in 1866; thereafter, numerous saxophonists and instrument manufacturers implemented their own improvements to the design and keywork. The first substantial modification was by a French manufacturer who extended the bell slightly and added an extra key to extend the range downwards by one semitone to B♭. It is suspected that Sax himself may have attempted this modification. This extension is now commonplace in almost all modern designs, along with other minor changes such as added keys for alternate fingerings.

Sax's original keywork, which was based on the Triebert system 3 oboe for the left hand and the Boehm clarinet for the right, was very simplistic and made playing some legato passages and wide intervals extremely difficult to finger, so numerous developers added extra keys and alternate fingerings to make chromatic playing less difficult. While the early saxophone had two separate octave vents to assist in the playing of the upper registers just as modern instruments do, players of Sax's original design had to operate these via two separate octave keys operated by the left thumb. A substantial advancement in saxophone keywork was the development of a method by which the left thumb operates both tone holes with a single octave key, which is now universal on modern saxophones. One of the most radical, however temporary, revisions of saxophone keywork was made in the 1950s by M. Houvenaghel of Paris, who completely redeveloped the mechanics of the system to allow a number of notes (C♯, B, A, G, F and E♭ to be flattened by a semitone simply by lowering the right middle finger. This enables a chromatic scale to be played over two octaves simply by playing the diatonic scale combined with alternately raising and lowering this one digit. However, this keywork never gained much popularity, and is no longer in use.


Happy birthday and many happy returns for Adolphe from all of us, for all of us!

Happy Birthday, Mr. Sax
November 1, 2014

Looking to Escape the High Cost of College? These 7 Countries Will Educate You for Free

http://www.alternet.org/education/looking-escape-high-cost-college-these-7-countries-will-educate-you-free?akid=12426.227380.BkH8-S&rd=1&src=newsletter1025408&t=4

And you wouldn't even have to learn a new language!...Students just have to be willing to leave the country:

1. Brazil: Brazil's universities charge registration fees, Noack notes, but they do not require regular tuition. Many of them also offer courses in English.

2. Germany: Germany has 900 programs in English, and is eager to attract foreign students to tuition-free universities due to the country's shortage of skilled workers.

3. Finland: Finland doesn't have tuition fees but the government does warn foreigners that they have to cover living expenses. Imagine going to college and only worrying about room and board.

4. France: France does charge tuition – but normally around 200 dollars at public universities. A far cry from what you'd pay in the United States, even in a state school.

5. Norway: Norwegian students, including foreigners studying in the country, do not have to pay any college tuition. Be forewarned, however, of the harsh winters and high cost of living.

6. Slovenia: If Eastern Europe is more your thing, Noack notes that Slovenia has 150 English-language programs, and only charges a registration fee – no tuition.

7. Sweden: Sweden, a country which has so successfully solved so many of its social problems that there are now U.S. Sitcoms about the glories of moving there, has over 300 English-language programs. Although college there is free, cost of living may be pricey for foreigners.

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