Demeter
Demeter's JournalFinland, Home of the $103,000 Speeding Ticket ATTENTION FERGUSON, MO!
http://www.theatlantic.com/business/archive/2015/03/finland-home-of-the-103000-speeding-ticket/387484/Most of Scandinavia determines fines based on income. Could such a system work in the U.S.?
Reima Kuisla, a Finnish businessman, was recently caught going 65 miles per hour in a 50 zone in his home countryan offense that would typically come with a fine of a couple hundred dollars, at most, in the U.S. But after Finnish police pulled Kuisla over, they pinged a federal taxpayer database to determine his income, consulted their handbook, and arrived at the amount that he was required to pay: 54,000.
The fine was so extreme because in Finland, some traffic fines, as well as fines for shoplifting and violating securities-exchange laws, are assessed based on earningsand Kuisla's declared income was 6.5 million per year. Exorbitant fines like this are infrequent, but not unheard of: In 2002, a Nokia executive was fined the equivalent of $103,000 for going 45 in a 30 zone on his motorcycle, and the NHL player Teemu Selanne incurred a $39,000 fine two years earlier.
This is no constitutionally governed state, one Finn who was fined nearly $50,000 moaned to The Wall Street Journal, This is a land of rhinos! Outrage among the richespecially nonsensical, safari-invoking outragemight be a sign that something fair is at work.
Finlands system for calculating fines is relatively simple: It starts with an estimate of the amount of spending money a Finn has for one day, and then divides that by twothe resulting number is considered a reasonable amount of spending money to deprive the offender of. Then, based on the severity of the crime, the system has rules for how many days the offender must go without that money. Going about 15 mph over the speed limit gets you a multiplier of 12 days, and going 25 mph over carries a 22-day multiplier...
IT'S WORTH A TRY--IT MIGHT BE THE ONLY WAY TO GET THE BANKSTERS, JUST AS INCOME TAX EVASION TOOK OUT CAPONE
FREE SPEECH, DEFINED
Free speech does not arise out of commitment to principle, or out of some newspapers editorial policy; it arises out competing sources of information and opinion.
Extreme Life: Tardigrades are so tough, they can survive outer space
Boil them, deep-freeze them, crush them, dry them out or blast them into space: tardigrades will survive it all and come back for more...
http://www.bbc.com/earth/story/20150313-the-toughest-animals-on-earth?ocid=global_bbccom_email_16032015_earth
IS THIS HOW THE EARTH WAS COLONIZED? IS ALL LIFE DESCENDED FROM THESE?
Weekend Economists Mark the Vernal Equinox and the Infernal Revenue Service March 20-22, 2015
It's Spring (in most places, even though rotten snow lies in the shadows, or flakes continue to swirl in frigid air), and that means....taxes.
How do the Rich people bear it? After all, with all that income, they must feel as if they are ripping their faces off when they sign that check.
NO, Not Really.
There's this thing for the Obscenely Wealthy known as "Tax Shelter". The Tax Shelter can be "a simple cabin in the far woods" or an "opulent mansion", but if you have to ask, you can't afford one.
So, let's enjoy Spring, and not develop Spring fever over the inequity of it all...
The Seasons (German: Die Jahreszeiten) is an oratorio by Joseph Haydn (H. 21/3).
History
Haydn was led to write The Seasons by the great success of his previous oratorio The Creation (1798), which had become very popular and was in the course of being performed all over Europe.
Libretto
The libretto for The Seasons was prepared for Haydn, just as with The Creation, by Baron Gottfried van Swieten, an Austrian nobleman who had also exercised an important influence on the career of Mozart. Van Swieten's libretto was based on extracts from the long English poem "The Seasons" by James Thomson (17001748), which had been published in 1730.
Whereas in The Creation Swieten was able to limit himself to rendering an existing (anonymous) libretto into German, for The Seasons he had a much more demanding task. Olleson writes, "Even when Thomson's images were retained, they required abbreviation and adaptation to such an extent that usually no more than faint echoes of them can be discerned, and the libretto often loses all touch with the poem which was its starting point. Increasingly during the course of the oratorio, the words are essentially van Swieten's own or even imported from foreign sources."[1]
Like The Creation, The Seasons was intended as a bilingual work. Since Haydn was very popular in England (particularly following his visits there in 17911792 and 17941795), he wished the work to be performable in English as well as German. Van Swieten therefore made a translation of his libretto back into English, fitting it to the rhythm of the music. Olleson notes that it is "fairly rare" that the translated version actually matches the Thomson original.[2] Van Swieten's command of English was not perfect, and the English text he created has not always proven satisfying to listeners; for example, one critic writes, "Clinging to [the] retranslation, however, is the heavy-handed imagery of Haydn's sincere, if officious, patron. Gone is the bloom of Thomson's original."[3] Olleson calls the English text "often grotesque", and suggests that English-speaking choruses should perform the work in German: "The Seasons is better served by the decent obscurity of a foreign language than by the English of the first version."[4]
Composition, premiere, and publication
The composition process was arduous for Haydn, in part because his health was gradually failing and partly because Haydn found van Swieten's libretto to be rather taxing. Haydn took two years to complete the work.
Like The Creation, The Seasons had a dual premiere, first for the aristocracy whose members had financed the work (Schwarzenberg palace, Vienna, 24 April 1801), then for the public (Redoutensaal, Vienna, 19 May).[5] The oratorio was considered a clear success, but not a success comparable to that of The Creation. In the years that followed, Haydn continued to lead oratorio performances for charitable causes, but it was usually The Creation that he led, not The Seasons.
The aging Haydn lacked the energy needed to repeat the labor of self-publication that he had undertaken for The Creation and instead assigned the new oratorio to his regular publisher at that time, Breitkopf & Härtel, who published it in 1802.
Musical content
The oratorio is divided into four parts, corresponding to Spring, Summer, Autumn, and Winter, with the usual recitatives, arias, choruses, and ensemble numbers.
Among the more rousing choruses are a hunting song with horn calls, a wine celebration with dancing peasants[7] (foreshadowing the third movement of Beethoven's Pastoral Symphony), a loud thunderstorm (ditto for Beethoven's fourth movement), and an absurdly stirring ode to toil:
The huts that shelter us,
The wool that covers us,
The food that nourishes us,
All is thy grant, thy gift,
O noble toil.
Haydn remarked that while he had been industrious his whole life long, this was the first occasion he had ever been asked to write a chorus in praise of industry.
Some especially lyrical passages are the choral prayer for a bountiful harvest, "Sei nun gnädig, milder Himmel" (Be thou gracious, O kind heaven), the gentle nightfall that follows the storm, and Hanne's cavatina on Winter.
The work is filled with the "tone-painting" that also characterized The Creation: a plowman whistles as he works (in fact, he whistles the well-known theme from Haydn's own Surprise Symphony), a bird shot by a hunter falls from the sky, there is a sunrise (evoking the one in The Creation), and so on...
I think we should commission a Paean to Taxes!
Demeter and Persephone Terracotta Myrina 100 BCE
Photographed at The British Museum in London, United Kingdom.
Remembering Boris Nemtsov / Keith Gessen
http://www.lrb.co.uk/v37/n06/keith-gessen/remembering-boris-nemtsov?utm_source=newsletter&utm_medium=email&utm_campaign=3706&utm_content=usca_nonsubs&hq_e=el&hq_m=3661896&hq_l=11&hq_v=e477429728It would be hard to imagine a less likely political martyr than Boris Nemtsov. He was loud, brash, boastful, vain and a tireless womaniser. My favourite story about him came from a Moscow journalist who once shared a cab with Nemtsov and a photographer whom hed been wooing to no avail. It was late at night and he fell asleep. The photographer was the first to be dropped off, and Nemtsov suddenly woke up. So what do you say? he asked. Receiving another no, he went back to sleep.
Nemtsov was a young physicist in Nizhny Novgorod when perestroika began. He got involved in protest politics and was elected to the first democratic Supreme Soviet in 1990, associating himself with the anti-Soviet, democratic wing. He caught Boris Yeltsins eye and was appointed governor of Nizhny Novgorod. After six years with mixed results, he was called back to the Kremlin to join the cabinet of young reformers who, it was claimed, would renew economic progress for Yeltsins second term. Nemtsov was the most handsome among them, and a physicist, and Jewish! Looking at photos of him with Yeltsin, who sometimes presented Nemtsov as his successor, one couldnt help but be filled with hope. Then Nemtsov opened his mouth. The first time I saw him on TV was during a celebration of the ageing pop singer Alla Pugacheva; he reminded her that shed once said she liked sleeping with her husband because he reminded her of Nemtsov. It was a strange performance for the future hope of Russian democracy.
I spent a week with Nemtsov many years later, in 2009, when he was running for mayor of Sochi. He was still amazing. It was early spring in Russia and yet Nemtsov had a full tan. Everywhere we went he wore blue jeans, a black jacket and a white shirt with the top three buttons undone. He addressed everyone he met with the familiar ty, which was rude, and he hit on all the women journalists. But he was totally committed to what he was doing, and bizarrely, bull-headedly, fearless. By this point he had started publishing short, well-researched reports about corruption in both the presidential administration and the Moscow mayoralty. Later he would publish one about construction of the various Olympic sites in Sochi. Whoever he was speaking to he would say: Have you read my book about that? You need to read my book about that. And he would start making arrangements to send them a pamphlet.
His campaign in Sochi was quixotic. This former governor and deputy prime minister, ten years out of government, was travelling around in a rented yellow minivan, trying to get people on the street to talk to him. Most of them recognised him, he was a celebrity, but they werent about to stick their necks out for him. His rallies were poorly attended. His volunteers put up posters with his handsome face only to find theyd been torn down overnight. (The Kremlin had agreed to let him register his candidacy but had no intention of letting him win.) He was subjected to relentless attacks on his character in the local and national media. A group of young men, who for some reason were wearing dresses, splashed ammonia on him before a press conference....
MORE
Some People Know How to Snow!
MORE AT LINK: http://englishrussia.com/2015/03/10/hundreds-of-tanks-made-of-snow-and-ice-in-russian-backyards/
Man Has Patent Which Could Destroy Monsanto
http://yournewswire.com/man-has-patent-which-could-destroy-monsanto/Paul Stamets was granted a patent in 2006 to naturally prevent insects from destroying crops.
It is being described as SMART pesticides and has Monsanto extremely worried.
Loveclicks.org reports:
Yet with Monsanto generating nearly $16 BILLION dollars in 2014, they certainly do not want anything getting in the way of that money flow. That kind of revenue gives them a lot of resources and abilities to suppress information that may be damaging to them.
Like this patent of Paul Stamets. Paul has figured out how to use mother natures own creations to keep insects from destroying crops. It is whats being called SMART pesticides. These biopesticides provide a safe & nearly permanent solution for controlling over 200,000 species of insects, and it is all thanks to the magic of mushrooms.
I wont go into the specifics of how it all works, for most of us wont really understand it anyway, but to summarize, he does this by taking entomopathogenic Fungi (fungi that destroys insects) and morphs it into not producing spores. This in turn actually attracts the insects who then eat and turn into fungi from the inside out!
For those who do want to do their own further research on the topic, I have provided a list of links below to help you along.
As more people wake up to the damaging effects of Monsantos chemicals & GMO foods, the demand for truly nutritious, pesticide free, non-gmo, organic foods is on the rise. We are seeing more community gardens & urban forests being created. More people are starting to grow food, not lawns. Permaculture is becoming more widely talked about and understood. There is a major paradigm shift happening right now as our collective consciousness expands and awakens.
These truly are exciting, monumental times we live in. We are seeing old world ways crumble and power structures fall as we wake up and step up to collectively create a more healthy and sustainable way of working, living & playing together on this planet. The time has come. We can do this!
Here is a link to the patent we are speaking of: http://www.google.com/patents/US7122176
- See more at: http://yournewswire.com/man-has-patent-which-could-destroy-monsanto/#sthash.hNKVuKK4.dpuf
NYT Editorial: A Failing Relationship With Venezuela
http://www.nytimes.com/2015/03/12/opinion/a-failing-relationship-with-venezuela.htmlBy imposing sanctions this week on seven officials in the Venezuelan government on Monday, the Obama administration took a gamble. The move appears intended to signal to members of that government that persecuting the political opposition and limiting an independent press will have consequences. Yet the step could end up backfiring if President Nicolás Maduro is able to use it to bolster his bogus contention that the United States is trying oust him through a coup. The sanctions, carried out under a law Congress passed in December, bar the Venezuelan officials from doing business with American citizens and permit the seizure of any assets they have in the United States. It also prevents them from traveling to the United States. American officials, however, seemed uncertain this week of the effect of the measures because its unclear whether the blacklisted officials have substantial ties to the United States.
Unsurprisingly, Mr. Maduro called those who were singled out heroes and said that the sanctions were a badge of honor. Acting with characteristic brashness, he appointed one of the blacklisted officials, Gustavo Enrique González López, as the minister of interior on Tuesday. Mr. Maduro also asked the National Assembly, which his party controls, for extraordinary powers to face off American aggression.
The sanctions were announced days after Mr. Maduro ordered the American Embassy in Caracas, the capital, to cut its staff to 17 from the roughly 100 employees based there now. He warned that his government would limit the activities of the few diplomats that remained, and he also said that American citizens would henceforth need to apply for visas before traveling to Venezuela. Those moves followed the Obama administrations decision to cancel the visas of 56 Venezuelan officials and some of their relatives, which was meant to punish those suspected of committing human rights abuses and acts of corruption and set an example for others.
While both governments will doubtlessly remain at odds for the foreseeable future, moving closer to a full-scale rupture in relations would harm ordinary Venezuelans who are struggling in an imploding economy, in which inflation is soaring and food shortages are worsening. Venezuela, which exported nearly $26 billion worth of crude oil to the United States last year, has a lot to lose, but Mr. Maduro appears foolish and recalcitrant enough to want to escalate the conflict. For now, the showdown stands to provide Mr. Maduro with political cover and excuses amid a widening economic crisis that is largely his fault. To shore up his flagging popular support, he accuses the United States of waging an economic war against his country to drive him out of power. While American sanctions might hurt some Venezuelan officials, it seems unlikely that they would curb abuses by the government and could even embolden Mr. Maduro. A more productive approach might be to increase efforts to persuade Latin American leaders to speak up for democratic principles in Venezuela and further isolate a leader who is becoming a regional pariah.
BOGUS CONTENTION! REGIONAL PARIAH!
THE COWARDS AT NYT ARE NOT ACCEPTING PUBLIC COMMENT ON THIS EDITORIAL....
US AGIT-PROP AT ITS WORST!
Walleyball:Tijuana/SanDiego beach-goers turn militarised border wall into world’s biggest volleyball
The roughly 700-mile Mexico-United States fence is a massive reminder that, in many ways, the border between the two countries is a conflict zone where surplus from the Vietnam War militarised weapons, ground vehicles, helicopters and heat sensors are now employed to pursue immigrants headed northwards.
Walleyball finds the eclectic US filmmaker Brent Hoff making a playful yet powerful plea for humanity where Tijuana meets San Diego, initiating a friendly game of over-the-fence volleyball with two Mexican beach-goers amid the unforgiving hum of helicopters. The short film was created as part of McSweeneys Wholphin DVD series and screened on CNN to commemorate the 20th anniversary of the fall of the Berlin Wall.
For more on the San Diego-Tijuana border, read Enrique Gilis essay Tijuana Arts
VIDEO AT LINK: http://aeon.co/video/society/walleyball-illegal-volleyball-over-the-us-mexico-border-fence/?utm_source=Aeon+newsletter&utm_campaign=faa36b9221-Weekly_newsletter_March_63_6_2015&utm_medium=email&utm_term=0_411a82e59d-faa36b9221-68716177
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Member since: Thu Sep 25, 2003, 02:04 PM
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