an interesting tid-bit on the song. Perhaps we should start calling radio stations around the country and start requesting Waylon's "America" instead?
Then again, look how they've abused, misused and mininterpreted Springsteens "Born in the USA" album cuts.
http://www.soulofacitizen.org/articles/patrioticballads.htmsnip>
We were defending freedom, according to this view, when supporting dictators like Augusto Pinochet, Ferdinand Marcos, the Shah of Iran, Saddam Hussein, and the succession of Persian Gulf autocrats who helped turn bin Laden against us. We’re defending freedom while selling more weapons to more countries than any other nation in the world, and then being surprised when some end up aimed or used against us. We're defending freedom when the Justice Department recruits our friendly postman, meter reader, or cable technician to report on what we do, say, and read. When Greenwood sings, "There ain't no doubt I love this land. God Bless the USA," he never suggests what qualities of justice would redeem the love he declaims. He just says we need to be proud.
Greenwood wrote the song following the U.S. retreat from Lebanon and Reagan's invasion of Grenada, to reflect "the spirit of America being proud." It rose to a top-five country hit, and both the Democrats and Republicans invited him to sing it at their respective conventions. Greenwood turned them both down due to scheduling conflicts. But after letting Reagan staffers use "God Bless The USA" to frame their l8-minute campaign film, he began singing it at Republican rallies.
But Greenwood's is not the sole patriotic ballad to choose from. The late Waylon Jennings' "America" reached number six on the charts the year "God Bless the USA" first came out. Written by Sammy Johns, the song affirms connection to native soil, as Jennings repeats, "America, America," slowly and tenderly as if to a woman he loves; then admits, softly, "You've become a habit to me." But he also makes tough demands-recounting his own history as an Anglo yeoman "from down round Tennessee," then continuing, "But my brothers/ Are all black and white/ Yellow too/ And the red man is right/ To expect a little from you/ Promise and then follow through/ America."
Honoring promises of justice gives us problems. Our culture too often gives them lip service, then dismisses them by explaining, "We're sorry. This is the future. Get used to it." Yet we're stronger for respecting common ties, even if they raise difficult questions. Echoing Walt Whitman's poems of Brooklyn blacksmiths and welders, Jennings celebrates "all the men who build the big planes/ And who live through hardship and pain." But he also honors those "who would not fight/ In a war that didn't seem right," and a nation strong enough so "you let them come home." Once more questions are raised, about a past that's no longer so clean. He judges us wiser for respecting those who challenged their government-and might once again.
http://en.wikipedia.org/wiki/Born_in_the_U.S.A.The title track, "Born in the U.S.A." is one of Springsteen's best known songs. Many have misinterpreted the song as a simple nationalistic anthem, while in reality, it is a song of protest depicting the hardships Vietnam veterans faced upon their return from the war. In spite of this, many politicians (notably including Ronald Reagan) have used the song without permission in their campaigns, and during the 2003 Invasion of Iraq many counterdemonstrators played the song opposite peace protests. In 2004, Senator John Kerry used "No Surrender" as his campaign theme song during his 2004 presidential campaign; both it and "Bobby Jean" reflect in part the departure of Steven Van Zandt from the E Street Band.