When I was a freshman in college, there was a talent show. A popular and well-intentioned young (white) lady decided to do a tribute to Donna Summer.
Fair enough.
But as part of her tribute, she painted her face black.The strange thing is, none of her friends (including the black ones) told her this would be a bad idea.
She didn't have an inkling there would be a problem until she took the stage and was greeted with stunned silence.See:
Blackface Minstrelsy
http://etext.lib.virginia.edu/railton/huckfinn/minstrl.htmlWell, of course there were several weeks of the obligatory flame wars in the school newspaper.To make things worse, there was a second uproar when the paper made an unfortunate typo.
One well-intentioned letter sent to the editor included the phrase, "You People
of Color..."What actually made it into the paper was, "
You people..."
That extended the flame-war by another month or so.
On the one hand it is good that some racial stereotypes are passing out of mainstream recognition. On the other, it is tragic that we are forgetting the history and context of what is in the past.
The Blackface Stereotype
Manthia Diawara
<snip>
THE STEREOTYPE AND THE CONTENT OF HISTORY
I was looking at more than 150 prints of Levinthal's in my living room one day when my 13-year-old son came along and asked what I was doing. I showed him the pictures and explained that white people used to make these images to show that black people were inferior to them and to justify racism and segregation. I introduced him to Aunt Jemima and said that white racists wanted people to believe that all black women were fat and dressed in a white apron and a kerchief as a permanent fixture of white peoples kitchens. Black people were also represented as porters and shoeshine boys at train stations. Those who rebelled against these portrayals of themselves and their race were depicted as Rastus, uppity niggers and called "Zip Coons."
When we got to the image that associated black people with watermelons, he asked, "Oh yeah, why are they always smiling like that, with those big red lips?" I told him that whites used to malign black people as watermelon and chicken thieves. They would say that during the night, when it was pitch dark, black people would go to the masters field to steal watermelons, or, like foxes, to the chicken coop to steal chickens. But supposedly, these black people were always betrayed by their white teeth and white eyes which shone in the dark like lightning. So they could not hide, even in the darkest of nights, even though they were so black. That was why their smiles were cut like slices of watermelon and they were considered, like chickens, to be cowards. My son laughed and remained pensive for a moment before resuming his mundane activities.
More:
http://www.blackculturalstudies.org/m_diawara/blackface.htmlAlso:
Talking Race Over a Slice of Watermelon
By Keith M. Woods
The watermelons seemed like a good idea at the time. Rain had dampened the celebration at Campbell Park, and the photojournalist, trying to salvage a story, searched for a picture that would say, "rained out." She found the watermelons, stacked two-high and dripping in the drizzle, symbols of all the fun that had been washed away that day.
<snip>
Some of the Fellows said they'd never heard about any stereotypes associated with watermelons. Maybe that means the stereotype is fading away, one Fellow suggested, so why sacrifice a good photo for a has-been stigma? Another said she recognized an insult immediately and cringed at the thought of publishing the picture. Follow one instinct and the photo, already on the website, would stay. Follow the other, and it would be deleted. The options, at first, seemed fairly stark.
There was a time when the best decision would have been clear: Spike the picture.
Since the earliest days of plantation slavery, the caricature of the dark-skinned black child, his too-red lips stretched to grotesque extremes as they opened to chomp down on watermelon, was a staple of racism's diet. Over time, the watermelon became a symbol of the broader denigration of black people. It became part of the image perpetuated by a white culture bent upon bolstering the myth of superiority by depicting the inferior race as lazy, simple-minded pickaninnies interested only in such mindless pleasures as a slice of sweet watermelon.Like all racial and ethnic stereotypes, this one's destructive properties have, through the decades, stretched far beyond mere insult.
It has helped poison self-esteem, pushing some people to avoid doing anything that seemed too "black," lest they be lumped into the company of Uncle Remus, Aunt Jemima, or some other relative of racism.More:
http://poynteronline.org/column.asp?id=58&aid=42722Also:
All in The Family
Episode 123.
BIRTH OF THE BABY (PART 1)
December 15, 1975
Stuck in a phone booth in an Italian restaurant, Gloria goes into labor while Archie is busy rehearsing for his lodge's minstrel show.
Episode 124.
BIRTH OF THE BABY (PART 2)
December 22, 1975
Archie arrives at the hospital direct from his minstrel show -- in
blackface -- just in time for Gloria's blessed event.
More:
http://www.allinthefamilysit.com/episodes_part3.shtmlBack in 1987, my girlfriend (her family was from Taiwan) had this tube of toothpaste in her bathroom.