Muslim journalist Zaiba Malik had never worn the niqab. But with everyone from Jack Straw to Tessa Jowell weighing in with their views on the veil, she decided to put one on for the day. She was shocked by how it made her feel - and how strongly strangers reacted to itI look at myself in my full-length mirror. I'm horrified. I have disappeared and somebody I don't recognise is looking back at me. I cannot tell how old she is, how much she weighs, whether she has a kind or a sad face, whether she has long or short hair, whether she has any distinctive facial features at all. I've seen this person in black on the television and in newspapers, in the mountains of Afghanistan and the cities of Saudi Arabia, but she doesn't look right here, in my bedroom in a terraced house in west London. I do what little I can to personalise my appearance. I put on my oversized man's watch and make sure the bottoms of my jeans are visible. I'm so taken aback by how dissociated I feel from my own reflection that it takes me over an hour to pluck up the courage to leave the house.
I've never worn the niqab, the hijab or the jilbab before. Growing up in a Muslim household in Bradford in the 1970s and 80s, my Islamic dress code consisted of a school uniform worn with trousers underneath. At home I wore the salwar kameez, the long tunic and baggy trousers, and a scarf around my shoulders. My parents only instructed me to cover my hair when I was in the presence of the imam, reading the Qur'an, or during the call to prayer. Today I see Muslim girls 10, 20 years younger than me shrouding themselves in fabric. They talk about identity, self-assurance and faith. Am I missing out on something?
...
Things don't get much better at the National Portrait Gallery. I suppose I was half expecting the cultured crowd to be too polite to stare. But I might as well be one of the exhibits. As I float from room to room, like some apparition, I ask myself if wearing orthodox garments forces me to adopt more orthodox views. I look at paintings of Queen Anne and Mary II. They are in extravagant ermines and taffetas and their ample bosoms are on display. I look at David Hockney's famous painting of Celia Birtwell, who is modestly dressed from head to toe. And all I can think is that if all women wore the niqab how sad and strange this place would be. I cannot even bear to look at my own shadow. Vain as it may sound, I miss seeing my own face, my own shape. I miss myself. Yet at the same time I feel completely naked.
...
Maybe I will feel more comfortable among women who dress in a similar fashion, so over 24 hours I visit various parts of London with a large number of Muslims - Edgware Road (known to some Londoners as "Arab Street"), Whitechapel Road (predominantly Bangladeshi) and Southall (Pakistani and Indian). Not one woman is wearing the niqab. I see many with their hair covered, but I can see their faces. Even in these areas I feel a minority within a minority. Even in these areas other Muslims turn and look at me. I head to the Central Mosque in Regent's Park. After three failed attempts to hail a black cab, I decide to walk.
http://www.guardian.co.uk/religion/Story/0,,1924101,00.html Interesting. I think it's only certain towns in England where the niqab is starting to get popular - London, which is very diverse, doesn't seem to have many people wearing it. This journalist obviously doesn't like wearing it at all in a place where it makes you stand out.