Tragicomic Tale of the 9/11 Report

[RedEarth]

Journalists like to talk about the back story, the story behind the story. The back story can be nothing more than vaguely sourced gossip traded among pundits and politicos before they go on talk shows. But sometimes the back story is the real, whole truth, a tale of conniving or official blundering that the headlines can only hint at. Journalists often conceal the whole truth because they need to protect their sources.

Philip Shenon, a reporter in the Washington bureau of The New York Times, set out to get behind the scenes of the 9/11 Commission. The inside story of a government commission doesn’t sound very promising; most commission reports wind up unread on dusty shelves.

When the 9/11 Commission announced its findings in the summer of 2004, the response was by and large respectful. Reprinted as a book, “The 9/11 Commission Report” was an instant best seller, unusual for a document written by committee. But its popularity was owed mostly to a spare, riveting narrative of the shocking events on Sept. 11, 2001, not to its policy recommendations or revelations about official malfeasance. So why go over it all again?

Mr. Shenon is a skillful writer and storyteller as well as a dogged reporter. In “The Commission” he makes bureaucratic warfare exciting, largely because he has a keen grasp of human frailty and folly. He opens with a desperate, almost pathetic scene of Samuel R. Berger, President Bill Clinton’s national security adviser, sneaking documents out of the National Archives.

Mr. Berger had actually been more attentive to the threat of Al Qaeda than most government officials, including his successors in the Bush administration, but he apparently feared that he and his boss would become scapegoats. “Beneath his gruff amiability,” Mr. Shenon writes of Mr. Berger, “there was deep insecurity that, even he admitted, bordered on paranoia.”

http://www.nytimes.com/2008/02/04/books/04thom.html?ei=5087&em=&en=86f2c64bf7e3b258&ex=1202274000&pagewanted=print

[ixion]

1. a spare, riveting and FABRICATED narrative

:grr:

[Joe Chi Minh]

2. Human? That's interesting. Loved this bit: "When one of the Jersey Girls

asks Mr. Kissinger if he has any clients named bin Laden, Mr. Kissinger spills his coffee and nearly falls off his sofa. “It’s my bad eye,” Mr. Kissinger explains, as the women rush to clean up the mess — “like good suburban moms,” Mr. Shenon says one widow recalls. The next morning Mr. Kissinger telephoned the White House to resign from the commission.

The lamp broke. Is that so difficult to understand?