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Frida Kahlo in Philly; Something IS left Out

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IndianaGreen Donating Member (1000+ posts) Send PM | Profile | Ignore Wed Apr-09-08 10:58 PM
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Frida Kahlo in Philly; Something IS left Out
Frida Kahlo in Philly; Something IS left Out

by Eric Green

Frida Kahlo Travels to Philly; Curator Leaves Politics & the Mexican Communist Party Outside the Main Event


On the way from Mexico City to Philadelphia, Frida Kahlo celebrates her 100 birthday (1907-2007) with a great exhibition of her art and personal commitment to life. The exhibition of her paintings and personal photos is a collection well worth seeing. But, left in the margins of this exhibition is her commitment to the Communist Party of Mexico and her comrades, including her husband, Diego Rivera. The gallery book assembled for the event gives a more complete and accurate understanding of her personal, art, and political convictions and commitments

The presentation's oral hand held device's explanation, free of charge after spending $20 to attend ($17 for seniors), carefully describes over 30 of these paintings and the selected great personal photos that are on display for the first time.

In the hand held devices where you press each button to correspond to the paintings in front of you, there is the opportunity to press another button to find out more about the paintings and Kahlo's life. It is only if you press that additional button that find out the Kahlo and Rivera are "committed communists." The statement was almost a back handed attempted to avoid criticism for not putting her life and art within that context.

In the much talked about Rockefeller Center mural by Rivera, which are quickly described, the viewer is informed that Rockefeller had the mural destroyed due to the "communist influences." They put that phrase in quotes.

In Kahlo's painting, "Moses", done in 1945, she counter poses on the left of the painting, Karl Marx, VI Lenin, Josef Stalin and other left political leaders; and, on the right side religious leaders and also Napoleon and Hitler. In the oral explanation, the narrator gives a very muddled explanation of this important painting. If you see the painting, the oral curator explanation has more to do with birthing than politics.

http://paeditorsblog.blogspot.com/2008/04/pa-blog-frida-kahlo-in-philly-something.html
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