First up,Neurosis-The Eye of Every Storm
The following should come as good news: every song on The Eye of Every Storm is so beautiful and engaging that it’s hard to know where to start discussing them. Album opener “Burn” is the most brisk of the tracks here, but still sparse and melodic enough to mirror the pastoral images of sunlight and warm air contained in the lyrics. The key to the album might be found halfway through “Burn”: when the guitars briefly crash in, they draw more attention to the synth-and-voice tenderness that follows than they do to themselves. It’s clear by the song’s sweet, textured din of an ending that The Eye of Every Storm is going to be an album of warmth, a humid, claustrophobic warmth that first alarms, then sedates and, finally, suffocates.
This atmosphere permeates every track, infusing each song with both beauty and unease. “No River To Take Me Home” is, even at its loudest moments, completely hypnotic. You may even think the repetitive space rock fade-out is a dream until you find yourself drifting amid the ten-minute-plus title track, which is built solely on sustained bass and synth notes until the guitars make an entrance at the nine-minute mark.
From that point on, guitars return to prominence, but wrapped in gauze-y fuzz and accompanied by thick down-tuned bass, they remain invariably narcotic. Classic slow-motion eruptions can still be found in “Bridges”, where the heaviness of the drumless sludge passages is almost unbearable, and in the ten-minute “A Season In the Sky”, but this is a meditative album, a headphones album, one of the finest releases of Neurosis’s career and one of the best records of 2004.
Next is Old Man Gloom-Christmas
The latest release to bear the name of Old Man Gloom arrives a few months shy of the period suggested via its title, but the small crowd who have been acutely anticipating this follow-up to the gloriously dense pair of "Seminar II" and "Seminar III" which brought their destructive ambient properties to the forefront back in early 2001 would probably argue that in fact "Christmas" is long past its season already. Nonetheless, this collaborative effort between assorted members of the Hydra Head family, with individual representees from Converge, Isis and Cave In involved, appears to possess enough of an audial picnic to retain the interest for a similar timespan; for "Christmas" is an outing fixated on blurring the boundaries between milieus of bare drone and cacophonous explosions of nuclear guitars smited with sludgey density. Invoking the power brought forth by the contrasting mediums which are the staples of the Old Man Gloom fraternity, the thirteen tracks scraped out over the course of this outing tear up metal riffs of behemothic properties with extraordinary diligence before casting down into the forsaken realms of drawn-out, extensive meditation, transcending from the bluntness and up-front attack of a battering ram to the cunning, measured guile of a master hypnotist in seconds.
Where Old Man Gloom's ambient instincts take the stage, the group toy with swirling soundscapes of measured, droning feedback, breathing a sinister life into the deathly calm with acoustic strums at some points, even feeding into the soporific possibilities wholesale during the appropiately titled 'Close Your Eyes, Roll Back Into Your Head' with delicately soft-spoken overtones insinuating that the listener should take some rest. Meanwhile the frenzied attacks incorporated within the thick, driving metal passages bring a Eyehategod reminiscent lean to the material, bastardizing hardcore fury with stoner rock tendencies in a heavy swamp of filthy destruction.
on edit-these reviews aren't written by me,just for the record.I'm too lazy today :)