From Gary Kurtz, an old friend of George Lucas and the producer of Episodes IV and V (A New Hope and The Empire Strikes Back). Kurtz had a falling-out with Lucas over Return of the Jedi and left. Since then he has become a critic of ROTJ and the prequels, along with much of Lucas' treatment of the series. He basically felt that Lucas got tired of doing the films and decided he was less interested in complex mythic storytelling and more in creating big commercial action movies.
Personally, while I think elements in ROTJ are weak, I like the film. The prequels aren't up to snuff, however.. I enjoyed Attack of the Clones and thought it was entertaining with some interesting strands, but didn't stand up to the standards of the first three. Phantom Menace was just boring and juvenile.
Anyway, I found this interview I found recently to be quite interesting. Kurtz apparently some years back revealed the original storyline - take a look:
http://cgi.theforce.net/theforce/tfn.cgi?storyID=2624:Kurtz gave TPM a mixed review as he was clouded by plans made for Episode 1 back in the early 70s. As someone involved with Star Wars from the initial concepts, Kurtz revealed the original intentions for the nine films as they were laid out BEFORE 1980. Very interesting.
EPISODE 1: Was to focus on the origins of the Jedi Knights and how they are initiated and trained
EPISODE 2: Introduction and development of Obi-Wan Kenobi
EPISODE 3: Introduction and life of Vader
EPISODE 4: There were seven different drafts of the film. At one point, they pursued buying the rights to Hidden Fortress because of the strong similarities. At one point, Luke was a female, Han was Luke's brother, Luke's father was the one in prison (interesting point for some debates) and the film featured 40 wookies
EPISODE 5: Once written, the screenplay of Empire is almost exactly what is seen on screen. The only cut scenes were those involving wampas in the rebel base (cut because of time and unsolved technical glitches) and about two minutes of Luke/Yoda Jedi training with no real dialog.
EPISODE 6: Leia was to be elected "Queen of her people" leaving her isolated. Han was to die. Luke confronted Vader and went on with his life alone. Leia was not to be Luke's sister.
EPISODE 7: Third trilogy was to focus on Luke's life as a Jedi, with very few details planned out.
EPISODE 8: Luke's sister (not Leia) appears from another part of the galaxy.
EPISODE 9: First appearance of the Emperor.
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Also, here's an excerpt from an interview from a couple years back:
http://filmforce.ign.com/articles/376/376873p4.htmlIGNFF: Now, also the story has arisen that George had always intended prequels, but had never intended sequels to that initial three films.
KURTZ: After this idea of more films came up, he did several interviews where he said he had story material to do nine films – three prequels and three sequels. That was the accepted story, basically, and there was quite a bit of material both before and after the Star Wars lump. So there was no decision to do either one... it was kind of a red herring in a way, because there was no immediate thought to make any other films right away. In a sense, through a business point of view, it probably would have been better to do so, like they did with Star Trek, rather than wait all this time, because the audience interest dissipated somewhat. I mean, it didn't seem to affect the box office on Phantom Menace too much, but ...
IGNFF: It didn't exactly leave a good taste in people's mouths, either.
KURTZ: Well, regardless of the value of the film as a film, artistically, there is a kind of energy around some things where if it had come out say three, four years later after Jedi, and then another one three or four years later after that, that kind of cycle would have probably been better for the audience and for the merchandising than what happened. But that's hindsight.
At that time, he always said that he had enough material for three earlier films and three later films, to make a total of nine, and there were outlined materials certainly for a later three that culminated with this big clash with the Emperor in Episode IX. So, we'll never see any of those, based on what he's said now.
IGNFF: Well what were the original outlines for the prequels? Since they can be compared and contrasted now that the first one's out there, and the second one's soon to be out there. Were there major differences from what you saw, from the original outlines of prequel ideas?
KURTZ: Well a lot of the prequel ideas were very, very vague. It's really difficult to say. I can't remember much about that at all, except dealing with the Clone Wars and the formation of the Jedi Knights in the first place – that was supposed to be one of the keys of Episode I, was going to be how the Jedi Knights came to be. But all of those notes were abandoned completely.
One of the reasons Jedi came out the way it did was because the story outline of how Jedi was going to be seemed to get tossed out, and one of the reasons I was really unhappy was the fact that all of the carefully constructed story structure of characters and things that we did in Empire was going to carry over into Jedi. The resolution of that film was going to be quite bittersweet, with Han Solo being killed, and the princess having to take over as queen of what remained of her people, leaving everybody else. In effect, Luke was left on his own. None of that happened, of course.
IGNFF: So it would have been less of a fairy-tale ending?
KURTZ: Much, much less.
It would have been quite sad, and poignant and upbeat at the same time, because they would have won a battle. But the idea of another attack on another Death Star wasn't there at all ... it was a rehash of Star Wars, with better visual effects. And there were no Ewoks ... it was just entirely different. It was much more adult and straightforward, the story. This idea that the roller-coaster ride was all the audience was interested in, and the story doesn't have to be very adult or interesting, seemed to come up because of what happened with Raiders of the Lost Ark and the Indiana Jones films – and the fact that that seemed to make a lot of money and it didn't matter whether there was a really good story or not – that wasn't what this kind of film was about. We had serious differences about a lot of that.