The 2006 version, with Daniel Craig as James Bond.
I saw it in the theater on New Year's Eve 2006/07, and liked it, but gave it another look as part of my Bondwatching project of late (I grew up watching Roger Moore as James Bond and had managed to never see a Connery Bond movie, at least in its entirety, except for the pretty awful
Never Say Never Again). I've now seen all the Connery films, as well as George Lazenby's outing, and have started again with Sir Roger's output. And, to be honest, I'm not sure I can pick a favorite actor for the role or say who was the 'best': I think a lot of people who grew up on Connery's Bond are biased by that very fact (his best films were arguably the second and third) just as the nostalgia of seeing Roger Moore's Bond on screen brings me happiness (my favorites of his would be
The Spy Who Loved Me and
For Your Eyes Only -- I don't think I ever saw
Octopussy in its entirety though it sounds like a lesser entry and I do retain a soft spot for
The Man With The Golden Gun, the first Bond film I saw). And I thought both Timothy Dalton, as a more realistic and gritter Bond, did a great job with his two projects (as did Lazenby with his, despite having never really acted before), and I liked Pierce Brosnan not just because I generally like him but because he really exemplified the suave Bond as personified by Moore but included a bit of a nod to the other actors who'd played Bond (I absolutely hated
Die Another Day, though -- saw it during a long internatinal trip that gave me two chances to see it as an inflight movie and I was as nonplussed after the second viewing as I was after the first).
This new dude, though...phew. I can understand why some people object to him, because he's too 'rough' or projects a more working-class sensibility, but Ian Fleming thought the same of Connery until he saw the films. Besides, this film is not a continuation of what's come before but what people now seem to call a reboot, starting the franchise over again and beginning with the very first Fleming novel and James Bond as a newly-minted 00 agent. He's supposed to be rough, and uncertain, and prone to making mistakes. He seems to spend half the time on screen covered in blood, usually his own. Personally, I think Daniel Craig makes an excellent Bond, albeit one totally different than any that've come before (blond, kinda craggy and not really conventionally handsome, in some ways, and more bulked up even than early Connery), and he's
really got the physicality of it down like nobody before (even Lazenby and Connery). This Bond's more of a brawler than the others and I'm sure, as the series goes on, he'll probably start to use his wits proportionally more than his fists...by the end of this film, even his character arc's taken him to a noticeably more shut-down and cold personality than at the start, though he's arguably a sociopath from the very start of the film. At the end of the film he has finally become JAMES BOND, dressed in a navy blue version of Connery's
Goldfinger suit and worthy of uttering the classic "Bond...
James Bond" line while the perennially cool theme from
Dr No plays.
I love Roger Moore's kinder, gentler portrayal of Bond (though he did sometimes reveal the stone-cold killer aspect of Fleming's creation) but James Bond really is and should be someone who feels little to no compunction about using violence and basically being a rather nasty fellow -- still on the side of good, for want of a better word (on the side of the UK, really), because otherwise we'd feel no sympathy for him and he'd be no different than Blofeld and company. But, yeah, James Bond should be a hero but one that makes us feel uneasy at times because, for all his dashing charm and wit and perseverance, he can be a chillingly ruthless SOB (and, as Daniel Craig pointed out in an interview I just watched, regarding retaining Dame Judi Dench as 'M,' a misogynistic one). Craig's Bond is much more like Fleming's invention, more brutal than even Sean Connery's take.
Anyway, I'm impressed by Craig's debut even though he doesn't fit the Bond archetype (the
movie archetype...from what I recall of all the Bond novels that I read in my early teens, he fits the original archetype very well, other than physically). The movie's also well done from a production point of view, with Martin Campbell directing. In general, it's a more realistic look at Bond, though there'll always be a sense of heightened realism surrounding him, I think (as contrasted to the excellent Bourne series of films), just because he's Bond. I'm looking forward to the next one.
For now, though, all I really wanted to do -- the whole reason for this post -- is to show y'all this clip from early in the film. If you haven't seen the film, this clip doesn't give anything away but it does show just what kind of Bond we're talking about here...in the theater (it was actually the last time I went to a movie theater) I was just totally enthralled by this chase scene. The man Bond is chasing, who turns out to be Sébastien Foucan, is a proponent of a form of movement called freerunning, or
parkour (actually, the two things are different...I'd never heard of either but, as often seems the case, watching the film prompted me to read up on it all) and it's just amazing to watch. Bond is less sure of himself and possessed with less stamina and acrobatic ability (I like how he just runs through the wall, though his relative clumsiness compared to the other man also culminates in him creating an international incident with his one-man assault on a sovereign embassy) but that Foucan dude looks like he's channeling one of those videogame characters, like a Mario Brother, as he bounces from level to level. Pretty cool:
http://www.youtube.com/watch?v=JuZQfZ-WxTkNow
that's an action sequence. :D