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The fear is deep in the souls of the citizens. The Joker adds to that fear, or triggers it, but it is buried there already. The coruption of the police as much as the rampant crime has strangled the hopes of the citizens, and they each feel they are in it alone. When the Joker triggers them to kill Reese or suffer the consequences, everyone from the cops to private citizens feel their destiny is in their hands alone, and they try to kill Reese. By this point even the audience feels the despair. The Joker has killed Rachel, he has destroyed Dent, he has shown absolutely no reservations, no humanity. The extremes he goes to shock even the town of Gotham.
But the final scene on the ferries backfires on the Joker. He puts the lives of hundreds on each ferry in the hands of the hundreds on the other ferry, and ties the survival of each to willingness to commit brutal murder. It is a horrific dilemma, and even in the theater the film has been so real that the audience feels the fear and dread, and the hopelessness (at least in my theater). But those on the ferries have been pushed to the ends. They know they will die if the other ferry acts as the expect, as they themselves want to act. It becomes real. Their lives are in the hands of people like them, and in the end, they realize that their only hope of survival is not to act only for themselves, but to act for everyone, for all humanity. By showing their humanity, those on the other side do, too. They both survive because they are finally in control of their own fate, and they act the opposite of what the Joker wants.
I couldn't get over how well this film was directed. It worked because the audience felt everything. The normal action film no is reduced to a series of cliche actions and schematic plot elements that have no character. All glitz, no substance. Even smart films like Casino Royale or The Bourne Ultimatum happen in such unlikely universes that people feel only a superficial, intellectual involvement. But in Batman, at least when I saw it, everything was very real, ironically, to the audience. When Gordon was killed, in my theater you could feel the grief. There was a stillness in the audience, as people waited for him to come back--especially those who know Gordon is a regular character in the Batman ethos. You could feel that people were holding their emotions in check, and Nolan knew they would, and slid into a dark action sequence to take the tension in a different direction. When Gordon emerged to save Batman, my theater literally cheered, and you could feel the tension break. Then Rachel was killed, in unambiguous fashion, and once again it was real, and shocking.
In the leadup to the ferry dilemma, when they found the first detonator and some in the audience (me included) guessed what was about to happen, you could hear the murmurs and gasps of shock. People felt it. When the convict begged the detonator from the captain, then tossed it out the window, I heard people in the theater sob with relief.
The film was dark and depressing, and the ending showed that even the mightiest sacrifices didn't always pay off, and yet, it was hopeful. The citizens made the right decision when there was no hope they would. Dent had lost his mind, but in the end his sane legacy was reclaimed. It was reclaimed by making Batman a criminal, but even there, you felt the nobility of the sacrifice, and the hope that such people exist, and see the larger need.
Unbelievable film. I saw it last night, and I still can't come down off it. I had wanted to see several movies this weekend, and now they all seem dull and contrived, and I just want to see this one again.
So instead I'm babbling. :)
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