http://www.newyorker.com/reporting/2008/01/28/080128fa_fact_packer?currentPage=4Editors at Simon & Schuster reacted to early chapters with dismay, and worried about the quality of Feinman’s contributions, but they kept their reactions private. Over the summer, a manuscript emerged, but neither the publisher nor Clinton’s aides—nor, especially, Hillary herself—were pleased with it. When Feinman left for vacation, Clinton, a Simon & Schuster editor, and a few key aides, working on their own time, continued on the book without her. (Feinman fulfilled the terms of her contract, and was never told by the publisher that her work was unsatisfactory.) In November, the Simon & Schuster editor spent three weeks at the White House, working intensively to expand and refine the material with the aides and with Clinton, who filled yellow legal pads with incorrigibly wonky prose, in “round, schoolgirlish handwriting,” the editor told me. In private, Clinton was strikingly relaxed, padding around the Book Room and Solarium in sweatpants and Coke-bottle glasses, the editor said, calling her “buttercup.” Clinton’s personality, the editor found, “is refreshingly sharp and clear—but she can’t show it.”
“It Takes a Village” appeared in January, 1996, with an acknowledgments page that mentioned nobody. Clinton had apparently given in to the urge to pay her ghostwriter back (as had Simon & Schuster, which considered withholding the last portion of Feinman’s hundred-and-twenty-thousand-dollar fee but quickly relented). Clinton’s omission aroused the enmity of powerful friends of Feinman’s at the Washington Post, and journalists began covering the slight, their suspicions roused by Clinton’s explanation that she had forgone names in the acknowledgments for fear of leaving someone out.
As with so many other Clinton scandals, the press framed the story in the worst possible light, and got its essence wrong, suggesting that Feinman had written the whole book and that Clinton had stolen the credit. Instead, Clinton had micromanaged every aspect of the book’s development.