Barack Obama's Work in ProgressOver the past few years, we’ve gotten to know our president as a lot of different things: campaigner, lawyer, father, basketballer. But what if Obama’s first and truest calling—his desire to write—explains more about him than anything else? Robert Draper recounts the untold story of the first man since Teddy Roosevelt to serve as author in chiefBy Robert Draper Photograph by Callie Shell/Aurora November 2009
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The author in barack obama never really left the room.
In the years since his ’04 Democratic-convention keynote speech opened Obama’s biography to mass consumption, we’ve picked through nearly every theme—the biraciality, the absent father, the community organizing, the deft navigation of the political minefield that is Chicago—as a way of explaining What Makes Obama Obama. Yet the president’s writing life has gotten surprisingly little notice. His talent with words is widely acknowledged, but that skill is often regarded as more instrumental than essential, a kind of handy tool for a politician, like George W. Bush’s facility for remembering names or Bill Clinton’s talent for spewing out worldly minutiae. But what if the knack is more like a calling? At least from early adulthood if not before, Barack Obama was clearly driven to write; to trace that continuing compulsion, from the days when he penned fiction and then memoir to his present speechcraft, is to recognize that writing is anything but a small part of Obama’s life. It’s basic to who he is.
“I think he sees the world through a writer’s eye,” says senior White House adviser and former Chicago journalist David Axelrod. “I’ve always appreciated about him his ability to participate in a scene and also reflect on it. I mean, I remember when we were meeting clandestinely with the guys who were vetting the vice presidential candidates. There was this courtly southern gentleman who was doing the vetting. The president said to me, ‘This whole scene’s right out of a Grisham novel.’
“I also have to say, one of the great thrills is to watch him work on a speech. It’s not just the content—he’s very focused on that—but more than anyone I’ve ever worked with, he’s focused on the rhythm of the words. Like, he’ll invert words. He’ll say, ‘I need a one-beat word here.’ There’s no question who the best writer in the speech-writing group is.”
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Sometime in 2002, the young state senator pays a daytime visit to the Chicago Shakespeare Theater. The artistic director, Barbara Gaines, is happy to show the politician around. Watching the carpenters erect the set, he asks Gaines which play is about to be performed. “Julius Caesar,” she tells him.
At first, Obama doesn’t say anything. Then, in a very soft voice, he begins to recite some twenty lines from the play. As he does so, he places his hand on his heart, as if stricken by the words’ transcendent beauty.
The director is agog. She has never heard an elected official quote Shakespeare in such a way. Later, she tells a co-worker, “I just had the most amazing experience. I met the first politician to have the soul of a poet.” (The first, she means, since Abe Lincoln, who quoted lines from Macbeth less than a week before his assassination: I think our country sinks beneath the yoke…)
When he is done, she murmurs, “Where did you learn that?”
He smiles. “From great professors,” he says. (Obama read all of Shakespeare’s tragedies during a short span of time in college and reread several while in Springfield.)
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For most politicians, well-delivered speeches are the fruit of rehearsal. That’s not necessarily the case with Obama, who has given some of his best speeches without benefit of a run-through. One of these was the joint session of Congress speech delivered this past February—his first speech before the body. Chief of staff Rahm Emanuel, not yet accustomed to Obama’s methods, was apoplectic just before the speech, hollering, “No one gives that speech without a run-through!” (Observes Axelrod: “Rahm does yoga, but not Zen.”) Though his teleprompter is proof that Obama does not believe in truly winging it, he requires less rehearsal than most presidents because he’s deeply involved in shaping the words from their inception.
“I don’t think he sits down and stares at a blank page waiting for the muse to come and kiss him, you know,” says Axelrod. “But I also think he needs the deadline. It’s a motivator—it trains the mind.” This is Axelrod’s charitable way of saying that Obama does his writing at the eleventh hour, when his aides are on the verge of meltdown.
http://www.gq.com/news-politics/politics/200911/barack-obama-writing-books-writer-robert-draper