There's no doubt that a $13 million quality movie like Ang Lee's "Brokeback Mountain," which has wowed festivalgoers and reviewers in Telluride, Venice and Toronto, will play well in big movie markets around the country. The question is, how broad will it go?
No one knows that answer, because no one has ventured into this territory before. The movie is a groundbreaker. There's never been a homosexual cowboy movie, and while the indies have been supplying gay romances to the art house circuit for years, and gay series like "Queer as Folk" and "Will & Grace" have been pulling big numbers on TV, there hasn't been a mainstream gay love story since 1982's "Making Love," which bombed and was blamed by many for damaging Harry Hamlin's career. "It's the one last frontier," says Lee.
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It's been 12 years since Jonathan Demme's "Philadelphia," which starred Denzel Washington as a homophobic lawyer defending AIDS patient Tom Hanks, who won the Oscar; the movie grossed $77 million in North America. But "Philadelphia" was less a romance (the gay couple didn't kiss) than a courtroom drama about fighting for justice. Last year's "Alexander" was an epic adventure with a gay subplot, but Oliver Stone's movie didn't disappoint at the box office just because of its candid depiction of a bisexual conqueror. It was a badly reviewed muddle of a movie.
In an industry that happily explores the outer limits of gore and violence, movies that smack of realistic intimacy are taboo - especially between men. Gallup polls have shown Americans as growing increasingly tolerant of homosexuals, but movie audiences have never been confronted with a gay western. Conservative blogger Matt Drudge has already weighed in on "Brokeback Mountain," asking, "Will a movie even Madonna calls shocking sit with the heartland?"
http://www.azcentral.com/ent/movies/articles/1117brokeback1117.htmlKind of says a lot about our culture when most people are more comfortable seeing men holding guns than holding hands or men killing each other, but not loving each other.