Sounds like a very relevant movie.
http://movies2.nytimes.com/2006/02/17/movies/17soph.html?8dpcFebruary 17, 2006
MOVIE REVIEW | 'SOPHIE SCHOLL: THE FINAL DAYS'
The Quiet Resolve of a German Anti-Nazi Martyr
By STEPHEN HOLDEN
"Sophie Scholl: The Final Days" conveys what it must have been like to be a young, smart, idealistic dissenter in Nazi Germany, where no dissent was tolerated. This gripping true story, directed in a cool, semi-documentary style by the German filmmaker Marc Rothemund from a screenplay by Fred Breinersdorfer, challenges you to gauge your own courage and strength of character should you find yourself in similar circumstances. Would you risk your life the way Sophie Scholl (Julia Jentsch) and a tiny group of fellow students at Munich University did to spread antigovernment leaflets? How would you behave during the kind of relentless interrogations that Sophie endures? If sentenced to death for your activities, would you still consider your resistance to have been worth it? In a climate of national debate in the United States about the overriding of certain civil liberties to fight terrorism, the movie looks back on a worst possible scenario in which such liberties were taken away. It raises an unspoken question: could it happen here?
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The movie follows the last six days of Sophie's life, after she and her brother Hans (Fabian Hinrichs) are arrested at Munich University in February 1943 for printing and distributing anti-Nazi leaflets. Their arrest takes place in a political climate of panic and denial after Germany's defeat at Stalingrad. News of the rout has begun to circulate, but the powers-that-be dig in their heels.
The Scholl siblings belong to the White Rose, a tiny resistance movement at Munich University. The pamphlet they distribute in the university's empty halls, while classes are in session, declares that the war cannot be won and urges Germany to sue for peace. They naïvely hope to ignite a spontaneous student rebellion.
But the Nazi attitude toward the reversal of Germany's fortunes on the battlefield is one of enraged denial. The shrill accusations leveled against Sophie and two of the other accused in the interrogation room and in court by the fulminating judge, Dr. Roland Freisler (André Hennicke), have a tone of desperate, hysterical fury.
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