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Though I happen to think he's a political idiot, and injects commentary into some of his works that shows a remarkable ignorance regarding violence and brutality as a historical reality rather than the invention of some few modern bastards, I cannot but be a fan of the skill of his talent for putting down the written word.
I'm not bad. Getting better all the time. But other than perhaps being more politically aware, I'm in awe of this man's skill as a wordsmith.
But I'm currently listening to an audio version of Dean Koontz's "By the Light of the Moon," which, I have to say, is simply astounding.
In true activist fashion, I should refuse to purchase this man's works so he might help propogate the Republican propaganda, but, I suppose, I myself am an artist first and it behooves me to appreciate an artist for his or her talents before I consider his or her political stances. Foolish as they may be.
So, despite my misgivings, I continue to spend money to listen to Koontz's books. His talent is such that I think it would be an insult to my own talent to discount his contribution to my influences because of his political views.
Having just finished listening to Stranger in a Strange Land, by Robert Heinlein, a book that takes me back to my childhood, I suppose that in the overall scheme of things, I take more from these things that even the author might have intended. Stranger, with its odd mysticism and eminently libertarian under-pinning, has, in many ways, influenced my whole approach to such things as metaphysics, religion, and philosophy. Valentine Michael Smith's insistance that "Thou Art God," still, to do this day, resonates more strongly within me than a thousand non-heretical sermons might have done.
It's funny what can influence you. Particularly if you yourself are an artist. Maybe that gives you a better opportunity to pick and choose what portions of someone else's work to take to heart. I don't know. But though I am myself primarily liberal, there is a solid streak of left libertarian in me as well, and it is through the works of Heinlein and Herbert that I was introduced to the concepts of little-L libertarianism.
An individual should not put him or herself above society, but, then again, should not allow society and its needs to consume him either. We have the abilities of discernment and discrimination (the latter in its most positive meaning) for a reason.
In the end, we make the choices that make us feel good--be they ultimately selfish or altruistic. The fact remains that if it pleases us to care about others, and to act with goodwill toward our neighbors, it is, in the end, an act as selfish as any. The benefit is in the result, not the innermost intent.
So here I am, a liberal author who counts among his influences the works of such notable "conservatives" as Heinlein and Herbert, and is struck in amazement at the word-crafting of a man who's both a fool and a genius, depending on the subject at hand, and insists on listening to Koontz's books despite his political blindness.
And I'll be damned if I'll apologize for it.
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