http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2007/08/31/wvenice131.xmlEIGHT new American films on Iraq due out soon.
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They are impatient with the war's progress, distrustful of all Iraqis (even the children) and eager to go home. Two of them concoct a plot for the group to revisit a household recently raided in a search for insurgents, and to rape the family's 15-year-old daughter. In a chilling finale they do the deed, but their mission also ends in multiple murder.
Intriguingly, one of the group (who harbours ambitions to go to film school) is compiling a video diary of life at the checkpoint. He takes his camera along on the raid and simply keeps shooting during the terrible events. Only later does he realize that this implicated him in the crimes.
To tell the story, de Palma boldly uses a variety of forms: blogs, YouTube posts, videologs on the internet and the video diary the soldier is shooting. There are several references to the shortcomings of the mainstream media in reporting the real horrors of the Iraq war; de Palma makes a telling point with these alternative narrative devices.
Whatever the truth of those claims, there's no doubt Redacted packs an extraordinary emotional punch. It ends with shocking still photos of Iraqis, dead, disfigured or in extreme distress because of the war. This montage left the audience at a Venice press screening stunned, silent and in a few cases tearful. The combination of De Palma's visceral style and the horrifying subject matter left me reeling.