WP: A Case of Poetic Justice. Literally.
By Jay Parini
Sunday, June 22, 2008; B02
WEYBRIDGE, Vt.
....I was horrified to hear about the break-in but relieved to learn that the place -- where I had stayed off and on over many years, especially while writing my biography of Frost -- was not damaged beyond repair. As it happened, I had just finished a book called " Why Poetry Matters," a study on the role poetry can play in our daily lives that deals extensively with Frost's ideas about the use of metaphor....With these thoughts of Frost floating in my head, I got a call from the prosecutor in the case. His idea, which the judge embraced, was that part of the young invaders' community service would involve discussing Frost's poetry with me. If they studied with me for a period of time (to be determined by the judge and me), their criminal records in this case would be erased....
***
I settled on two main poems, " Out, Out --" and " The Road Not Taken." Other poems would have done as well or better, but these came immediately to mind, and I went with them. I've been teaching in colleges for 33 years, and I've never missed with "Out, Out -- ," a poem about a boy who loses his hand while cutting wood on a Vermont farm. The result is almost immediate death. Those who watch him die simply go back to work, as they must. The poem is set in the years of subsistence farming in Vermont, and a family could not lose a moment laying in the wood for winter.
Frost begins with an astonishing vision of Vermont: "Five mountain ranges one behind the other/Under the sunset far into Vermont." I've often stood at the Frost house and looked out at the mountains, and I understood those lines in context. I repeated them with emphasis. Each of these kids had at some point stood still, looked out over the Green Mountains and experienced the glory of that view. This is life itself, which Frost puts at stake in his poem. The students were unprepared for the sudden death of the boy, the shocking finality of it, and the fact that those who were not the "one dead" turned immediately back to work. They registered their shock, and I could see from their rapt attention that Frost had once again worked his uncanny magic. He had unlocked some hearts.
Then I turned to "The Road Not Taken." I did so gingerly, fully aware that the poem is complicated, shrewd beyond measure....(I)n this case -- in a stifling public building in Addison County, surrounded by anxious kids trying to wipe their records clean as they pored over my Xeroxed copies of the poetry -- I felt that I had to work more simply, with the symbol itself: two roads, choices. "Life is about choices," said one of the teens. Indeed, I said. I pointed out that the speaker in the poem was deep in the woods and that it was always difficult to figure out the right road when confronted with a forking path. They acknowledged having had many such experiences, quite literally, in the Vermont woods.
"You are now in deep woods," I told them. They seemed confused. "If this isn't a deep wood, I don't know what is," I added. Many of them lit up....
A very shy and frightened-looking boy in a baseball cap said, "I took the wrong road."
"You did," I said. "But there are other roads. Lots of them."...
(Jay Parini, a poet and novelist, teaches at Middlebury College.)
http://www.washingtonpost.com/wp-dyn/content/article/2008/06/20/AR2008062002679_pf.html