via MichaelMoore.com:
September 10th, 2009 3:01 pm
Michael Moore's smash and grabMoore's brilliant new film, Capitalism: A Love Story, will find an audience for its assault on America's political economy By Mark Weisbrot / Guardian
When I first met Michael Moore more than 20 years ago, he was showing a half-finished documentary to a few dozen people in a classroom in Ann Arbor, Michigan. It was funny and poignant and had a powerful message. He had taken a second mortgage on his house – equipment for filmmaking was a lot more expensive back then – and raised some money from like-minded locals for a long-shot venture. We all loved what he showed us but thought he would be lucky if a few thousand people got to see it.
But the film, Roger and Me, about the irrationality and human cost of the destruction of America's auto industry, was a smash hit and Moore was on his way to become America's most influential documentary film-maker. Twenty years later, he has produced his most radical work, which was greeted with rave enthusiasm when I saw it at the world's oldest film festival in Venice.
As the old saying goes, you either blame the victim or blame the system. Moore is making an appeal to blame it on the system, big time.
You know this film is going to be subversive when it opens with clips depicting actual bank robbers – caught on security cameras in the midst of their heists – grabbing their loot with Iggy Pop's cover of Louie Louie (a special version for the film) blasting away in the background. Moral equivalence for the titans of the financial industry, and their political protectors, is just around the corner. .............(more)
The complete piece is at:
http://www.michaelmoore.com/words/mikeinthenews/index.php?id=14397