Honoring Roger Ebert, critic and fan
Mick LaSalle, Chronicle Movie Critic
Friday, April 30, 2010
In the century or so that there has been such a thing as film criticism, no other critic has ever occupied the space held by Roger Ebert. Others as influential as Ebert have not been as esteemed. Others as esteemed as Ebert have not had the same direct and widespread influence. And no one, but no one, has enjoyed the same fame.
Or to put it another way, if Ebert were a movie, he'd be "Schindler's List" or "The Godfather" - a box office and a critical success. Andrew Sarris is one of the great critics, but the average person doesn't know his work. The late Pauline Kael was a cultural byword for many years, but only within an elite circle of readers. On the flip side, the late Bosley Crowther of the New York Times was once the most important voice on film in the country, but his work hasn't dated well. And we can all name various critics that we see on TV, some good, some bad, but no one is like Roger Ebert.
To be both extremely good and extremely popular is rare. Ebert has maintained his privileged position in American cultural life by virtue of intelligence, talent and physical energy. Those are innate gifts. But his success has also been a matter of character, with qualities like enthusiasm - and love.
Ebert will be at San Francisco's Castro Theatre on Saturday evening to accept the Mel Novikoff Award at the San Francisco International Film Festival. The festivities, billed as "An Evening With Roger Ebert and Friends," will include appearances by filmmakers Philip Kaufman, Errol Morris, Jason Reitman and Terry Zwigoff. And then, as is typical of Ebert, he will use his public platform to cast the spotlight on a film that deserves recognition: Erick Zonca's "Julia" (2009), a terrific character study/thriller starring Tilda Swinton that has grossed only $65,000 at the domestic box office.
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But perhaps it's only recently that people have come to recognize in the acuteness of Ebert's intellectual appreciation a form of spiritual generosity. Instead of writing for the professors, he writes for the masses. Instead of acting like a big shot, he has always been a colleague. For the past few years, Ebert has had to contend with a miserable illness that has robbed him of his speech. (He talks through computer software that speaks his typed words.) But illness hasn't stopped his work, nor has it diminished its quality. My favorite of Ebert's books is his "Great Movies" series, and I look forward to the third volume, which comes out in October.
Indeed, it seems almost as if illness has released Ebert in some way, allowing him to be the tender spirit that was always there in his writing but that he could never quite show. Of course, he has bad days. Of course, he has not suddenly become a saint - life is not a movie. But I think there's an awareness out there that in honoring Ebert, the film society is not just recognizing his writing, or his TV work or his place as an American institution.
They're honoring him. They're honoring a person. They're honoring someone who truly deserves it.
Read more:
http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2010/04/30/MVG31D5KCK.DTL#ixzz0mbx4dWEpRoger Ebert (right, with the late Gene Siskel) will be honored by the San Francisco International Film Festival.
Film critic Roger Ebert speaks at the signing for his book "Great Movies II" at a Barnes & Noble bookstore in Santa Monica in 2006.