It may be impossible for a documentary filmmaker to present a totally unbiased look at the court case in which 30,000 indigenous Ecuadoreans are suing oil giant Chevron for massive pollution.
To start with, your heart goes out to the simple people whose world was turned upside down by the arrival of oil companies back in the ’70s. Their lives continue to be scarred by a soaring cancer rate; in some villages near sludge-filled containment pits, three-fourths of newborns enter this world with a hideous and painful skin rash.
You want to cheer the efforts of a handful of low-paid local litigators to take on an international heavyweight with very deep pockets and to keep gnawing away at the giant’s ankles for the better part of 20 years.
And who are you going to side with — the scrappy class-action lawyers who allow their strategy sessions to be filmed or Chevron’s high-priced legal team, which operates behind closed doors?
So the fact that Joe Berlinger’s “Crude” doesn’t come off as a one-sided smear job is a bit of a miracle. To the extent that it’s possible, Berlinger (“Brother’s Keeper,” “Paradise Lost”) tries to present both sides of the controversy.
But you’ve got to wonder if anyone other than a Halliburton type could watch this movie and still root for the oilmen.
Shot over the last four years, “Crude” gives a kaleidoscopic view of the problem and the legal machinations involved in bringing the case to a conclusion.
http://www.kansascity.com/entertainment/story/1607168.html