Chile unveils mural thought destroyed by dictator Augusto Pinochet

[Judi Lynn]

Sunday, November 16, 2008

Chile unveils mural thought destroyed by dictator Augusto Pinochet

THE ASSOCIATED PRESS

SANTIAGO, Chile - Chile's military dictatorship of the 1970s so hated a mural by painter Roberto Matta that it covered the work with 16 coats of paint.

Now the surrealist mural is back on display at the La Granja city hall outside Santiago after three years of restoration work.


It cost about $43,000 to repair the 4-by-24-metre mural titled "The First Goal of the Chilean People."

The painting that officially went on public display Sunday celebrates the 1971 victory of Socialist president Salvador Allende. He was toppled by a military coup in 1973 led by Gen. Augusto Pinochet, who ruled until 1990.

Local officials recalled the painting in 2005 and began trying to restore it.

http://www.mytelus.com/ncp_news/article.en.do?pn=arts&articleID=3038511

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Roberto Matta
Wikipedia

Roberto Antonio Sebastián Matta Echaurren (November 11, 1911 – November 23, 2002), usually known as Matta, was one of Chile's best-known painters and a seminal figure in 20th century art. Born in Santiago, he initially studied architecture at the Pontificia Universidad Católica de Chile in Santiago, but became disillusioned with this occupation and left for Paris in 1933. His travels led him to meet artists such as René Magritte, Salvador Dalí, André Breton, and Le Corbusier.

It was Breton who provided the major spur to the Chilean's direction in art, encouraging his work and introducing him to the leading members of the Paris Surrealist movement. Matta produced illustrations and articles for Surrealist journals such as Minotaure. During this period he was introduced to the work of many prominent contemporary European artists, such as Pablo Picasso and Marcel Duchamp.

The first true flowering of Matta's own art came in 1938, when he moved from drawing to the oil painting for which he is best known. This period coincided with his emigration to the United States, where he lived until 1948. His early paintings, such as Invasion of the Night, give an indication of the work he would continue, with diffuse light patterns and bold lines on a featureless background. This is also the period of the "inscape" series, and the closely related "psychological morphologies". Prof. Claude Cernuschi (see Boston College Matta exhibition external link below) writes that "Matta's key ambition to represent and evoke the human psyche in visual form was filtered through the writings of Freud and the psychoanalytic view of the mind as a three-dimensional space: the 'inscape'." According to the essay on Matta in Crosscurrents of Modernism (see references below), the inscapes' evocative forms "are visual analogies for the artist's psyche" (p. 241). During the 1940s and 1950s, the disturbing state of world politics found reflection in Matta's work, with the canvases becoming busy with images of electrical machinery and distressed figures. The addition of clay to Matta's paintings in the early 1960s lent an added dimension to the distortions.

In his art Matta creates new dimensions in a blend of organic and cosmic lifeforms (see biomorphism). He was one of the first artists to take this abstract leap.

More:
http://en.wikipedia.org/wiki/Roberto_Matta

http://upload.wikimedia.org.nyud.net:8090/wikipedia/en/b/b9/InvasionOfTheNight_1940_SFMOMA.jpg

Invasion Of The Night 1940