Interesting piece by Brian Massumi, who some of you may know as the translator of
A Thousand Plateaus and author of
Parables for the Virtual.
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Natural disaster and terrorism define the poles of disaster. In between stretches a continuum of disaster, a plenum of frightful events of infinite variety, at every scale, coming one after the other in an endless series. The media plays its role of affective conversion with a regularity that is as predictable as each event in the series, taken separately, is shockingly unforeseen. First the affective strike of the event is instantaneously transmitted, cutting a shocked-and-awed hole of horror into the fabric of the everyday. The ability to make sense of events is suspended in a momentary hiatus of humanly unbearable, unspeakable horror. Then comes the zoom-in to the human detail. Stories get human traction. The horror is alloyed, its impact archived. Another event has been affectively conveyed with irruptive, interruptive force, only to subside into the background of everyday life. What remains is a continuous, low-level fear. This fear doesn't stand out clearly as an emotion. It is more like a habitual posture, an almost bodily bracing for the next unforeseen blow, a tensing infusing every move and every moment with a vague foreboding. This trace-form anticipation – this post-shock pre-posturing – becomes the very medium of everyday life. The environment of life is increasingly lived as a diffuse and foreboding "threat environment". It is almost a relief when the next hit comes. It is only another bout of disaster that will enable the narrative balm to calm again the collective nerves of a humanity permanently on low-level boil.
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http://www.guardian.co.uk/commentisfree/2011/apr/15/half-life-of-disaster