Welcome to DU!
The truly grassroots left-of-center political community where regular people, not algorithms, drive the discussions and set the standards.
Join the community:
Create a free account
Support DU (and get rid of ads!):
Become a Star Member
Latest Breaking News
General Discussion
The DU Lounge
All Forums
Issue Forums
Culture Forums
Alliance Forums
Region Forums
Support Forums
Help & Search
This Stunningly Racist French Novel Is How Steve Bannon Explains The World (HuffPo)
http://www.huffingtonpost.com/entry/steve-bannon-camp-of-the-saints-immigration_us_58b75206e4b0284854b3dc03Stephen Bannon, President Donald Trump’s chief strategist and the driving force behind the administration’s controversial ban on travelers from seven Muslim-majority countries, has a favorite metaphor he uses to describe the largest refugee crisis in human history.
“It’s been almost a Camp of the Saints-type invasion into Central and then Western and Northern Europe,” he said in October 2015.
-snip-
Bannon has agitated for a host of anti-immigrant measures. In his previous role as executive chairman of the right-wing news site Breitbart — which he called a “platform for the alt-right,” the online movement of white nationalists — he made anti-immigrant and anti-Muslim news a focus.
But the top Trump aide’s repeated references to The Camp of the Saints, an obscure 1973 novel by French author Jean Raspail, reveal even more about how he understands the world. The book is a cult favorite on the far right, yet it’s never found a wider audience. There’s a good reason for that: It’s breathtakingly racist.
-snip-
Upon the novel’s release in the United States in 1975, the influential book review magazine Kirkus Reviews pulled no punches: “The publishers are presenting The Camp of the Saints as a major event, and it probably is, in much the same sense that Mein Kampf was a major event.”
-snip-
The plot of The Camp of the Saints follows a poor Indian demagogue, named “the turd-eater” because he literally eats shit, and the deformed, apparently psychic child who sits on his shoulders. Together, they lead an “armada” of 800,000 impoverished Indians sailing to France. Dithering European politicians, bureaucrats and religious leaders, including a liberal pope from Latin America, debate whether to let the ships land and accept the Indians or to do the right thing — in the book’s vision — by recognizing the threat the migrants pose and killing them all.
The non-white people of Earth, meanwhile, wait silently for the Indians to reach shore. The landing will be the signal for them to rise up everywhere and overthrow white Western society.
The French government eventually gives the order to repel the armada by force, but by then the military has lost the will to fight. Troops battle among themselves as the Indians stream on shore, trampling to death the left-wing radicals who came to welcome them. Poor black and brown people literally overrun Western civilization. Chinese people pour into Russia; the queen of England is forced to marry her son to a Pakistani woman; the mayor of New York must house an African-American family at Gracie Mansion. Raspail’s rogue heroes, the defenders of white Christian supremacy, attempt to defend their civilization with guns blazing but are killed in the process.
Calgues, the obvious Raspail stand-in, is one of those taking up arms against the migrants and their culturally “cuckolded” white supporters. Just before killing a radical hippie, Calgues compares his own actions to past heroic, sometimes mythical defenses of European Christendom. He harkens back to famous battles that fit the clash-of-civilizations narrative — the defense of Rhodes against the Ottoman Empire, the fall of Constantinople to the same — and glorifies colonial wars of conquest and the formation of the Ku Klux Klan.
Only white Europeans like Calgues are portrayed as truly human in The Camp of the Saints. The Indian armada brings “thousands of wretched creatures” whose very bodies arouse disgust: “Scraggy branches, brown and black … All bare, those fleshless Gandhi-arms.” Poor brown children are spoiled fruit “starting to rot, all wormy inside, or turned so you can’t see the mold.”
-snip-
The white Christian world is on the brink of destruction, the novel suggests, because these black and brown people are more fertile and more numerous, while the West has lost that necessary belief in its own cultural and racial superiority. As he talks to the hippie he will soon kill, Calgues explains how the youth went so wrong: “That scorn of a people for other races, the knowledge that one’s own is best, the triumphant joy at feeling oneself to be part of humanity’s finest — none of that had ever filled these youngsters’ addled brains.”
The Camp of the Saints — which draws its title from Revelation 20: 9 — is nothing less than a call to arms for the white Christian West, to revive the spirit of the Crusades and steel itself for bloody conflict against the poor black and brown world without and the traitors within. The novel’s last line links past humiliations tightly to its own grim parable about modern migration. “The Fall of Constantinople,” Raspail’s unnamed narrator says, “is a personal misfortune that happened to all of us only last week.”
-snip-
Bannon’s alt-right-loving Breitbart has run multiple articles over the past three years referencing the novel. When Pope Francis told a joint session of Congress that the U.S. should open its arms to refugees in September 2015, Breitbart’s Julia Hahn, now an aide to Bannon in the White House, compared his admonition to Raspail’s liberal Latin American pontiff. And the novel’s thesis that migration is invasion in disguise is often reflected in Bannon’s public comments.
The refugee crisis “didn’t just happen by happenstance,” Bannon said in an April 2016 radio interview with Sebastian Gorka, who now works for the National Security Council. “These are not war refugees. It’s something much more insidious going on.”
Bannon has also echoed the novel’s theory that secular liberals who favor immigration and diversity weaken the West.
-snip-
“It’s been almost a Camp of the Saints-type invasion into Central and then Western and Northern Europe,” he said in October 2015.
-snip-
Bannon has agitated for a host of anti-immigrant measures. In his previous role as executive chairman of the right-wing news site Breitbart — which he called a “platform for the alt-right,” the online movement of white nationalists — he made anti-immigrant and anti-Muslim news a focus.
But the top Trump aide’s repeated references to The Camp of the Saints, an obscure 1973 novel by French author Jean Raspail, reveal even more about how he understands the world. The book is a cult favorite on the far right, yet it’s never found a wider audience. There’s a good reason for that: It’s breathtakingly racist.
-snip-
Upon the novel’s release in the United States in 1975, the influential book review magazine Kirkus Reviews pulled no punches: “The publishers are presenting The Camp of the Saints as a major event, and it probably is, in much the same sense that Mein Kampf was a major event.”
-snip-
The plot of The Camp of the Saints follows a poor Indian demagogue, named “the turd-eater” because he literally eats shit, and the deformed, apparently psychic child who sits on his shoulders. Together, they lead an “armada” of 800,000 impoverished Indians sailing to France. Dithering European politicians, bureaucrats and religious leaders, including a liberal pope from Latin America, debate whether to let the ships land and accept the Indians or to do the right thing — in the book’s vision — by recognizing the threat the migrants pose and killing them all.
The non-white people of Earth, meanwhile, wait silently for the Indians to reach shore. The landing will be the signal for them to rise up everywhere and overthrow white Western society.
The French government eventually gives the order to repel the armada by force, but by then the military has lost the will to fight. Troops battle among themselves as the Indians stream on shore, trampling to death the left-wing radicals who came to welcome them. Poor black and brown people literally overrun Western civilization. Chinese people pour into Russia; the queen of England is forced to marry her son to a Pakistani woman; the mayor of New York must house an African-American family at Gracie Mansion. Raspail’s rogue heroes, the defenders of white Christian supremacy, attempt to defend their civilization with guns blazing but are killed in the process.
Calgues, the obvious Raspail stand-in, is one of those taking up arms against the migrants and their culturally “cuckolded” white supporters. Just before killing a radical hippie, Calgues compares his own actions to past heroic, sometimes mythical defenses of European Christendom. He harkens back to famous battles that fit the clash-of-civilizations narrative — the defense of Rhodes against the Ottoman Empire, the fall of Constantinople to the same — and glorifies colonial wars of conquest and the formation of the Ku Klux Klan.
Only white Europeans like Calgues are portrayed as truly human in The Camp of the Saints. The Indian armada brings “thousands of wretched creatures” whose very bodies arouse disgust: “Scraggy branches, brown and black … All bare, those fleshless Gandhi-arms.” Poor brown children are spoiled fruit “starting to rot, all wormy inside, or turned so you can’t see the mold.”
-snip-
The white Christian world is on the brink of destruction, the novel suggests, because these black and brown people are more fertile and more numerous, while the West has lost that necessary belief in its own cultural and racial superiority. As he talks to the hippie he will soon kill, Calgues explains how the youth went so wrong: “That scorn of a people for other races, the knowledge that one’s own is best, the triumphant joy at feeling oneself to be part of humanity’s finest — none of that had ever filled these youngsters’ addled brains.”
The Camp of the Saints — which draws its title from Revelation 20: 9 — is nothing less than a call to arms for the white Christian West, to revive the spirit of the Crusades and steel itself for bloody conflict against the poor black and brown world without and the traitors within. The novel’s last line links past humiliations tightly to its own grim parable about modern migration. “The Fall of Constantinople,” Raspail’s unnamed narrator says, “is a personal misfortune that happened to all of us only last week.”
-snip-
Bannon’s alt-right-loving Breitbart has run multiple articles over the past three years referencing the novel. When Pope Francis told a joint session of Congress that the U.S. should open its arms to refugees in September 2015, Breitbart’s Julia Hahn, now an aide to Bannon in the White House, compared his admonition to Raspail’s liberal Latin American pontiff. And the novel’s thesis that migration is invasion in disguise is often reflected in Bannon’s public comments.
The refugee crisis “didn’t just happen by happenstance,” Bannon said in an April 2016 radio interview with Sebastian Gorka, who now works for the National Security Council. “These are not war refugees. It’s something much more insidious going on.”
Bannon has also echoed the novel’s theory that secular liberals who favor immigration and diversity weaken the West.
-snip-
What's really "all wormy inside" is the brain of anyone who'd take that vile racist book seriously, let alone promote it.
Steve Bannon is a very sick, evil man, and his influence over Donald Trump, and his control of that RW propaganda swamp Breitbart, make him extremely dangerous.
9 replies
= new reply since forum marked as read
= new reply since forum marked as read
