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Related: About this forumPhil Ochs-Crucifixion(in memoriam President John F. Kennedy)
&feature=relatedA song about the process wherein heroes emerge and are then taken before their time...written after the assassination of JFK, made cyclical with the killings of Malcolm X., Dr. King, RFK, Victor Jara, John Lennon and so many others.
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Phil Ochs-Crucifixion(in memoriam President John F. Kennedy) (Original Post)
Ken Burch
Nov 2012
OP
Melinda
(5,465 posts)1. I thought I'd do a search before posting this myself...
Glad to see another like soul. I miss Phil and his genius
Live version:
Back story from Crucifixion on Wiki
Ochs wrote "Crucifixion" during a two-hour car ride in the middle of his November 1965 concert tour of the U.K.[2][3] According to Ochs's manager, Arthur Gorson, the composer was "wary" of how his audience might react to the new song because it did not have an explicit political message.[4] He needn't have worried; his first public performance of "Crucifixion" was greeted by a standing ovation.[5]
The song is about the rise and fall of a hero, and the public's role in creating, destroying, and deifying its heroes. The first verse describes an event of cosmic proportions: "the universe explodes", "planets are paralyzed, [and] mountains are amazed" by the raising of a falling star. In the second stanza, a baby is born; the child has been "chosen for a challenge that is hopelessly hard", to redeem the world.[6][7] The third and fourth verses describe the hero's development: he has the insight that "beneath the greatest love, there's a hurricane of hate", yet he is driven to spread his message of redemption despite the tremendous difficulty.[8][9]
The fifth and sixth stanzas describe the public acceptance of the hero's message and their adoration of the hero, but warns that "success is an enemy to the losers of the day" and that the people who are applauding the hero are salivating for his destruction. The hero's downfall comes in the seventh verse, when "the gentle soul is ripped apart and tossed into the fire". The eighth stanza quotes the public's reaction to the hero's destruction: "Who would want to hurt such a hero?" "I knew he had to fall." "How did it happen?" "Tell me every detail."[10][11] In the ninth and tenth verses, the hero's myth grows as the public's memory of the events fades, and his message is sterilized; the cycle has ended. "Crucifixion" ends with a repetition of the first stanza, suggesting the birth of a new hero.[12][13]
"Crucifixion" usually is interpreted as an allegory likening the life and assassination of U.S. President John F. Kennedy to the career of Jesus, although the song may refer to other heroes as well.[9][14][15][16][17] In 1973, Ochs explained "Crucifixion" to Studs Terkel. In the distant past, Ochs said, the people would sacrifice a healthy young man to the gods; today, things were the same.
The Kennedy assassination, in a way, was destroying our best in some kind of ritual. People say they really love the reformer, they love the radical, but they want to see him killed. It's a certain part of the human psychethe dark side of the human psyche.[9]
... In March 1967, U.S. Senator Robert F. Kennedy and journalist Jack Newfield met Ochs, who sang "Crucifixion" for them; when Kennedy realized the song was about his brother, tears came to his eyes.[21][22]
The song is about the rise and fall of a hero, and the public's role in creating, destroying, and deifying its heroes. The first verse describes an event of cosmic proportions: "the universe explodes", "planets are paralyzed, [and] mountains are amazed" by the raising of a falling star. In the second stanza, a baby is born; the child has been "chosen for a challenge that is hopelessly hard", to redeem the world.[6][7] The third and fourth verses describe the hero's development: he has the insight that "beneath the greatest love, there's a hurricane of hate", yet he is driven to spread his message of redemption despite the tremendous difficulty.[8][9]
The fifth and sixth stanzas describe the public acceptance of the hero's message and their adoration of the hero, but warns that "success is an enemy to the losers of the day" and that the people who are applauding the hero are salivating for his destruction. The hero's downfall comes in the seventh verse, when "the gentle soul is ripped apart and tossed into the fire". The eighth stanza quotes the public's reaction to the hero's destruction: "Who would want to hurt such a hero?" "I knew he had to fall." "How did it happen?" "Tell me every detail."[10][11] In the ninth and tenth verses, the hero's myth grows as the public's memory of the events fades, and his message is sterilized; the cycle has ended. "Crucifixion" ends with a repetition of the first stanza, suggesting the birth of a new hero.[12][13]
"Crucifixion" usually is interpreted as an allegory likening the life and assassination of U.S. President John F. Kennedy to the career of Jesus, although the song may refer to other heroes as well.[9][14][15][16][17] In 1973, Ochs explained "Crucifixion" to Studs Terkel. In the distant past, Ochs said, the people would sacrifice a healthy young man to the gods; today, things were the same.
The Kennedy assassination, in a way, was destroying our best in some kind of ritual. People say they really love the reformer, they love the radical, but they want to see him killed. It's a certain part of the human psychethe dark side of the human psyche.[9]
... In March 1967, U.S. Senator Robert F. Kennedy and journalist Jack Newfield met Ochs, who sang "Crucifixion" for them; when Kennedy realized the song was about his brother, tears came to his eyes.[21][22]
I was 9 and at home the day JFK was murdered. Malcom X, Dr. King, and Bobby - It was just yesterday....
Thank you for this thread.