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Louise Post of Veruca Salt on the time her son asked her if she knew "Smells Like Teen Spirit" 💀
Link to tweet
Interesting factoid, the Foo Fighters song "Everlong" was inspired by Dave's relationship with Louise Post.
Shortly thereafter, around Christmas time, Grohl returned to his native Virginia. As he was going through a divorce, he decided to stay at a friend's house, using in a sleeping bag on the floor. It was there that he wrote "Everlong" as a proper song, in 45 minutes.[6] The lyrics were inspired by Grohl's ongoing romance with Louise Post of the band Veruca Salt:[7] "That song's about a girl that I'd fallen in love with and it was basically about being connected to someone so much, that not only do you love them physically and spiritually, but when you sing along with them you harmonize perfectly".[4] Grohl recorded a demo of the song soon after, during a visit to a friend's studio in nearby Washington, D.C. He describes the demo, on which he played all the instruments,[7] as being essentially the same as the album version, but "super raw".[5]
Grohl returned to the West Coast to continue work on The Colour and the Shape. He met with producer Gil Norton at Grandmaster Recorders in Hollywood again, and played the "Everlong" demo for him. Norton was impressed.[4][8] Soon, Nate Mendel and Pat Smear joined Grohl and Norton, and the group recorded the song. The solo guitar intro was recorded through an Astatic JT40 microphone, which outputs "dull" recordings with "no clarity".[9] Grohl wanted Post to provide vocals. She was in Chicago at the time, however, so her parts (doo doo doos alongside the lead guitar riff, and harmonizing on the chorus) were recorded using two separate telephone lines in the studio, one for her monitor, and the other for recording. Grohl recorded his chorus harmonies through the JT40,[9] which provided vocals at a similar level of fidelity as Post's. For the breakdown, Grohl recorded three spoken word tracks, one telling a story from assistant engineer Ryan Boesch's childhood, of being punished for disturbing his father's sleep, and two others of Grohl reading random passages from a book. The three tracks were planned to be blended together, but only the first was used in the final mix.[9]
https://en.wikipedia.org/wiki/Everlong
Grohl returned to the West Coast to continue work on The Colour and the Shape. He met with producer Gil Norton at Grandmaster Recorders in Hollywood again, and played the "Everlong" demo for him. Norton was impressed.[4][8] Soon, Nate Mendel and Pat Smear joined Grohl and Norton, and the group recorded the song. The solo guitar intro was recorded through an Astatic JT40 microphone, which outputs "dull" recordings with "no clarity".[9] Grohl wanted Post to provide vocals. She was in Chicago at the time, however, so her parts (doo doo doos alongside the lead guitar riff, and harmonizing on the chorus) were recorded using two separate telephone lines in the studio, one for her monitor, and the other for recording. Grohl recorded his chorus harmonies through the JT40,[9] which provided vocals at a similar level of fidelity as Post's. For the breakdown, Grohl recorded three spoken word tracks, one telling a story from assistant engineer Ryan Boesch's childhood, of being punished for disturbing his father's sleep, and two others of Grohl reading random passages from a book. The three tracks were planned to be blended together, but only the first was used in the final mix.[9]
https://en.wikipedia.org/wiki/Everlong