Music Appreciation
Related: About this forumSaw This Guy Last Night
His name is Ian Leith. I like his playing & his voice. I've seen him 5 or 6 times now.
He did this as his opener.
highplainsdem
(48,976 posts)one, too:
And I see he had (maybe still has?) a band:
ProfessorGAC
(65,038 posts)I've only seen him as a solo act, so was not aware of the other one.
OAITW r.2.0
(24,471 posts)Just an fyi.
ProfessorGAC
(65,038 posts)We saw Goodman a few times back in the day.
At places like Wise Fools or Kingston Mines, Steve, Bill Quateman & Aliota, Haynes & Jeremiah played all the time. So, we saw all of them quite a bit.
OAITW r.2.0
(24,471 posts)I hold Steve and John Prine as two of the greatest song writers in American folk history. and to think they were good friends....
ProfessorGAC
(65,038 posts)He played in Chicago a lot back then.
Quateman and his band went to after show breakfast with us a couple times. All really good dudes.
My Wife, who I didn't even know yet, had a thing for Bill. He was a good looking guy.
That folk/folk-rock scene was jumping in the mid to late 70s around here.
highplainsdem
(48,976 posts)ProfessorGAC
(65,038 posts)Wise Fools is where I discovered Leo Kottke.
We had played there opening for Furry Lewis a few weeks earlier. We did a coffee house gig up near Northwestern that ended at around 9. So, we thought we'd drive down and see if they'd remember us and let us in the back door. They did.
We're talking with the stage manager and we hear "some guy from Minnesota" playing from the room behind the stage.
I asked him "So, there are just 2 guys up there?" He says "No, just one." I peak out and see Leo up there by himself. Wow!
I went out the next day and bought both "Ice Water" & "My Feet Are Smiling".
We met him during the break, too.
OAITW r.2.0
(24,471 posts)ProfessorGAC
(65,038 posts)...here's another.
In around 1979, I knew a guitar player & luthier. He was a mechanical engineer at a power plant, but his passion was building acoustic guitars. He had all the equipment & skills. Was very serious about it.
In late '78 he finalized the bracing pattern to a double neck (6 & 12 string) and applied for (and eventually was granted) a patent.
He & I were talking and I told him I thought Leo Kottke would love that. His prototype was GORGEOUS in every way.
A couple months later he calls and says we need to go to Wise Fools to see Leo. He was bringing the doubleneck.
We got there early and they let us backstage. Leo played it and absolutely loved it. Ed told him it was his to keep.
Leo used it that night.
Fast forward a couple years, and Ed gets a letter from Sigma Guitars.
They had signed Leo to a big endorsement deal and he agreed to only play their guitars on stage. To do that, they needed the design for that doubleneck.
They paid him $250k for the patent!!! He paid off his house, bought a new Volvo, bought some new & better luthier tools, and put a bit into investments.
About 3 months later, he gets a note from UPS that there's a guaranteed shipment package for him at the distribution center.
When he gets there, there are 2 doubleneck guitars. One is a Sigma, the other was his original handmade. Leo sent them both once he had the Sigmas. He sent Ed his prototype back & one of the first handmades from Sigma.
Pretty cool all around!
OAITW r.2.0
(24,471 posts)highplainsdem
(48,976 posts)Bernardo de La Paz
(49,001 posts)ProfessorGAC
(65,038 posts)In this video, Ian is using the C6 tuning the Page used. That's what I do, too.
But, last night he did it with standard tuning. WAY HARDER!
Stomp is also an alternate tuning, but it plays a straight major chord open. Ideal for slide work. The tuning is F major but with the 5th in the bass. Having 2 of the three low strings slacked adds a unique character to the sound.
I always liked both too, but Stomp is more fun because it's easier and has that big rhythm. I have to concentrate much more on Bron Yr Aur because I've never put much time & effort on fingerstyle.