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Related: About this forumPOPE FRANCIS AND THE NAKED CHRIST
http://www.newyorker.com/online/blogs/books/2013/12/pope-francis-and-the-naked-christ.htmlThirty years ago, the art scholar Leo Steinberg published The Sexuality of Christ in Renaissance Art and in Modern Oblivion, a book that does much to explain the connection between Pope Franciss passionate devotion to the poor and afflicted and his seeming openness to gay Catholics. In The Sexuality of Christ, Steinberg argues that as a result of the rise of the Franciscan order, around 1260, an emphasis on Christs nakedness, and, thus, on his humanity, joined compassion to an acceptance of the role of sexuality in human life.
A credo of the Franciscan order was nudus nudum Christum sequi (follow naked the naked Christ). It was a radical call to cast aside worldly wealth and belongings and acknowledge the fragile, fallen nature of all men and women. But in casting aside Christs garments, the Franciscans made Christs nude body a focal point. As a result, according to Steinberg, from about the middle of the thirteenth century until the sixteenth century artists lavished particular care on Christs penis, the part of Christs body that made him most mortal, and which proved his union with humankind. One must recognize, wrote Steinberg, an ostentatio genitalium comparable to the canonic ostentatio vulnerum, the showing forth of the wounds.
The Sexuality of Christ has changed the way we look at certain works of art. The modern oblivion of Steinbergs subtitle was just that: centuries during which the central fact of Christs phallus in hundreds of Renaissance paintings was overlooked, denied, and, sometimes, bowdlerized. Steinberg adduces several examples of Christs genitalia being painted over or touched up to make it look like a mere blur. In one case, probably in the mid- to late nineteenth century, the Alinari brothers, famous for their photographic reproductions of paintings, blackened out the Christ childs penis in their photograph of a fifteenth-century Madonna and Child by Giovanni Bellini. Such censorship, Steinberg believes, was meant as distraction from an uncomfortable theological premise: A disturbing connection of godhead with sexuality.
To bring to the surface this suppressed artistic trend, Steinberg reproduced dozens of paintings and drawings in which Christs genitalia are indisputably a central thematic concern. There are paintings of the Christ child touching his penis, and of the Virgin handling the infant Christs penis. In some pictures, the Christ child exhibits his genitals in a style similar to Venus displaying her sex. Again and again, Steinberg writes, we see the young God-man parading his nakedness, or even flaunting his sex in ways normally reserved for female enticements.
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POPE FRANCIS AND THE NAKED CHRIST (Original Post)
xchrom
Dec 2013
OP
MisterP
(23,730 posts)1. the medieval Man of Sorrows was designed to invite contemplation of the divine Body
in a corporeal, sensual, and very cannibalistic form--this frankly goes beyond even eroticism to a new plane of union and fusion (communion, one may call it)
and, Tridentine countermoves aside, there's a lot of crucifixions without the extra cloth
Jesus Ween's been celebrated Jan. 1 since--what, 1204?